Collect Bill Claps' Glistening Gold Artworks that Pay Homage to Art Historical Icons
Bill Claps on the rooftop of his studio. Image courtesy of the artist.
"NATURAL ABSTRACTION"
Bill Claps - I Bamboo Forest Canopy
“Natural Abstractions” is Claps’ homage to traditional Chinese painting and to the 18thcentury Japanese master printmakers whose graphic style greatly influenced the European Impressionists. In this series he creates contemporary interpretations of nature motifs used and repeated by many generations of artists. "Chinese and Japanese landscape painting has been an inspiration for me for some time now, and I wanted to pay tribute to those artists,” says the artist. Each work is executed in a positive and negative version.
Bill Claps - Huangshan Pines IV
In these recent works you can see Claps’ fascination with the natural world, captured up close and translated into autonomous compositional elements, which at times recall geometric abstraction, calligraphy, and cellular processes.
Bill Claps in his studio. Photo courtesy of the artist.
His creative process begins with photographs taken in varied forests and mountains around the world: Cuba, China, Japan, the Caucasus Mountains of Georgia, and the Rocky and Appalachian Mountains of the U.S. The images are processed digitally and printed in black and white. Claps then applies a layer of gold foil and paints into the images.
Bill Claps- Rice Field, Aso II
Gold is the symbol of immortality, eternity and perfection, and the divine—reflective, spiritual, metaphysical, with a warmth that evolves as the day’s light changes. In recreating these art historical motifs, Claps attempts to create dynamic images that live in balance between figuration and abstraction.
Bill Claps - Tree Silhouettes West Lake II
"IT'S ALL DERIVATIVE"
Bill Claps - It's All Derivative: The Skull in Gold, Negative, 2012
In the “It’s All Derivative” series, Claps comments on the practice of appropriation and veneration in the art world by combining borrowed imagery from the past with the visual language of Morse code. He then applies gold foil to the surface of the works, using a unique technique he developed, thereby creating his own signature version of these iconic images. All the works in the series have “It’s All Derivative” written on them in Morse code.
Bill Claps - It's All Derivative: Mona as Dali, Gold Negative
“The series originally came about as I was thinking about my influences, both in my art and in my life, and I started playing with images and artists who have influenced me the most. I began to realize that as much as we want to complement ourselves for all the “brilliant” work we’ve done in our lives, nothing we do is totally original. It’s all derivative on one level or another.”
Bill Claps - It's All Derivative: Campbells Soup in Gold
Claps began using Morse code in his works in 2012, initially drawn to the code as a way to make his works more narrative, but in an opaque way that invited viewers to investigate the work further. According to Claps, “Morse code was the first digital codes of the information age, but it is no longer used, so it is both modern and retro. This is really important to me, particularly with the series “It’s All Derivative,” which comments on art historical ideas. Additionally, I like the code’s simple, clean elements, which I can distort and abstract in interesting ways to fit the images in my artworks.”
Bill Claps - "Jackie" Light Gold with Gold, 2014
The works of Claps express a search for the motivation behind artistic expression, and questions his own place in the continuum of art history. “As an artist, unless you’ve grown up in a windowless room, it’s impossible not to have been influenced by all those who have come before you, and you need to pay homage to that.”
To see more of Bill Claps available work: https://petragut.com/collections/bill-claps
