{"title":"ZH Exhibition Spring 2026","description":null,"products":[{"product_id":"david-yarrow-garden-of-eden","title":"Garden of Eden","description":"Garden of Eden\u003cbr\u003eAmboseli, Kenya - 2018\u003cbr\u003e\u003cbr\u003e\n\nThis is one of the most unusual contextual images I have taken in East Africa in the last few years. The white\nof the flowering meadows and the\nwhite of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions— it had rained torrentially for four or\nfive days—resulted in an implausible theater of dreams.\u003cbr\u003e\u003cbr\u003e\n\nThere was more snow on Kilimanjaro than I have ever seen before, and the normal arid dust bowl of Amboseli was\na garden bursting into acres of white carpet. For anyone who knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather.\u003cbr\u003e\u003cbr\u003e\n\nThe biblical rainfall had discouraged other visitors, so I had the amphitheater to myself. The bigger problem was that there were very few elephants in the park—the rain had pushed them out and into the forests below Kilimanjaro. I kNew, however, that there are always a good number of big elephants hanging around in the vicinity of the Kenya Wildlife Service Rangers’ headquarters.\u003cbr\u003e\u003cbr\u003e\n\nAs soon as I saw the white meadows,\nI kNew there was a chance of an image that offered a story of both lyrical\ngrace and beauty—especially if the clouds lifted and the summit of Africa’s tallest mountain was exposed for a\nfew minutes. Then I just needed the elephants—no elephants, no party. About 5:00 p.m., everything came together as a small group of elephants headed to the foothills for the night and walked right through the white meadows. Getting\nin the right place for the composition was a fairly intense 10 minutes, but I kNew this was a moment in time and I would not forgive myself if I missed it.","brand":"David Yarrow","offers":[{"title":"94 x 140 cm (image size) | 132 x 178 cm (framed size)","offer_id":43468382568535,"sku":"DY-PH-Garden of Eden-94 x 140 cm (image size) | 132 x 178 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 213 cm (image size) | 180 x 251 cm (framed size)","offer_id":43468382601303,"sku":"DY-PH-Garden of Eden-142 x 213 cm (image size) | 180 x 251 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_051_the-garden_of_eden_132x178_6820d689-0d49-4aa0-96c2-bd7ff38b0807.jpg?v=1778864464"},{"product_id":"david-yarrow-the-mob","title":"The Mob","description":"The Mob\u003cbr\u003e \nAmboseli – 2019 \u003cbr\u003e\u003cbr\u003e\n\nTo find two of the world’s remaining 20 big tusker elephants side by side was a huge privilege and I felt a responsibility to get it right. Tim and Craig are colossal mammals and dominated a formidable front line of big bulls that morning in Amboseli. To be so close to two of the biggest elephants in the world and photographing from the ground up was as intense a 30 seconds in the field as I can remember.  I was fortunate with the soft light and the background - both of which were out of my control. We were packed up and celebrating back at camp by 8.30 am.\u003cbr\u003e\u003cbr\u003e\n\nThis is probably my lead shot of 2019 and I am deeply grateful to my guide - Juma Wanyama - without which it would not have been possible. Not only does he facilitate my partnership with the street smart Masai spotters whom I asked to search for Tim and Craig at first light, he has also helped develop my working relationship with the Kenyan Wildlife Service (Kws) who oversee and support my work in Amboseli. It is not on paper, but I believe that the considerable sums we give back to conservation in Africa (over $1m a year) helps our cause with the Kws.\u003cbr\u003e\u003cbr\u003e\n\nHowever, Juma’s key skill is his understanding of the mood of both Tim and Craig and their willingness to tolerate my presence in their space. He worked wonders to allow this epic encounter to materialise.  I have total trust in Juma and I think he also knows, after eight years of working together, that I am responsible when out of the jeep. One cavalier move could be fatal.","brand":"David Yarrow","offers":[{"title":"94 x 168 cm (image size) | 132 x 205 cm (framed size)","offer_id":43469971030103,"sku":"DY-PH-The Mob-94 x 168 cm (image size) | 132 x 205 cm (framed size)-AR-SI-N\/A","price":58300.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":43469971062871,"sku":"DY-PH-The Mob-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":68900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_099_the_mob_132x205_5ec31ddb-f913-40fe-817b-e93a34c1b61a.jpg?v=1778867550"},{"product_id":"david-yarrow-mars-attacks","title":"Mars Attacks!","description":"Mars Attacks!\u003cbr\u003e Sea of Cortez – 2021\u003cbr\u003e\u003cbr\u003e Every year in the early summer, thousands of mobula rays congregate in the Sea of Cortez off the coast of La Paz in Mexico. On calm days at sea, a spectacular courting ritual unfolds during which the rays show off by jumping several metres out of the sea. It is one of the most surreal sights to witness anywhere in the world. In the ocean, mobula rays look as one would expect, but when flying through the air, they look like aliens or spaceships. They are quite literally a fish out of water. I have no preconception as to what a “Mars Attack” might look like, but this is hopefully the closest I will get to it.\u003cbr\u003e\u003cbr\u003e There are a few dilemmas on this location for the filmmaker. Firstly, the action often takes place 90 minutes from port and the light and the activity are at their best in the hour before sunset. We also discovered that the wind picks up after the sun sets. Secondly, I wanted to be as low as possible and this ruled out hiring larger more comfortable boats.\u003cbr\u003e\u003cbr\u003e There was no way we would sacrifice content, so we had no choice but to spend a few dark evenings returning home in quite rough seas in a small fishing boat. But that was still the right trade. There are no shortcuts in this gig.\u003cbr\u003e\u003cbr\u003e I took a great deal of frames over the week, but it is such a low percentage assignment that just three or four did justice to the spectacle. It requires quick reactions and - as always - good fortune. Much depends on the alertness and manoeuvering skills of the captain of the boat. I was fortunate to work in La Paz with my fellow Londoner - Luke Inman - who now lives in the city and knows the sea and sealife there as well as anyone. He hired the boat captain - Tony Ruelas - and this picture is as much his as it is mine.\u003cbr\u003e\u003cbr\u003e What a planet we live on.","brand":"David Yarrow","offers":[{"title":"94 x 137 cm (image size) | 132 x 175 cm (framed size)","offer_id":43469980368983,"sku":"DY-PH-Mars Attacks!-94 x 137 cm (image size) | 132 x 175 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 208 cm (image size) | 180 x 246 cm (framed size)","offer_id":43469980401751,"sku":"DY-PH-Mars Attacks!-142 x 208 cm (image size) | 180 x 246 cm (framed size)-AR-SI-N\/A","price":33920.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_219_mars_attacks_132x175_621cca99-2904-4a41-8282-a62ee8031145.jpg?v=1778868457"},{"product_id":"david-yarrow-marshlands","title":"Marshlands","description":"Marshlands\u003cbr\u003e Dinokeng, South Africa – 2023\u003cbr\u003e\u003cbr\u003e I think that this is one of my more powerful lion photographs over the last ten years. It is a tribute to the skills of Kevin Richardson - The Lion Whisperer - whose ability to work with these magnificent cats is without equal.\u003cbr\u003e\u003cbr\u003e The night before, the thunderstorms around Dinokeng, South Africa, were so violent and relentless that sleeping was almost impossible. My restlessness was compounded by my excitement about the amount of flood water that would be building in Kevin’s famous sanctuary. Bad weather is always an opportunity, not a threat, and hopefully we practice what we preach.\u003cbr\u003e\u003cbr\u003e I knew that it was going to be dirty work as Kevin’s heavy cage at my behest, would be positioned in the new marshland at first light. These lions are wild, and the only way of gaining proximity is by using remotes or working from a very heavy cage. Remotes were a non-runner with the water levels, so it was time for me to get very wet and suck it up.\u003cbr\u003e\u003cbr\u003e The end result made it all worthwhile. I can’t really get more out of an adult male lion than this, and what a majestic animal he is.","brand":"David Yarrow","offers":[{"title":"94 x 122 cm (image size) | 132 x 160 cm (framed size)","offer_id":43470010089559,"sku":"DY-PH-Marshlands-94 x 122 cm (image size) | 132 x 160 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 185 cm (image size) | 180 x 223 cm (framed size)","offer_id":43470010122327,"sku":"DY-PH-Marshlands-142 x 185 cm (image size) | 180 x 223 cm (framed size)-AR-SI-N\/A","price":49820.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_345_marshlands_132x160_f514ed08-7935-4bb9-a298-f2d55bc15bdc.jpg?v=1778870969"},{"product_id":"david-yarrow-testarossa","title":"Testarossa","description":"Testarossa\u003cbr\u003e Monument Valley, Utah, USA – 2023\u003cbr\u003e\u003cbr\u003e We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field.\u003cbr\u003e\u003cbr\u003e However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump Point in Monument Valley.\u003cbr\u003e\u003cbr\u003e There are so many people to thank for making the image I had in my head come to reality. Firstly we must thank the Navajo Nation and their elder Don Mose - who looked after us so well and entertained the crew to dinner. We were honoured to be their guests.\u003cbr\u003e\u003cbr\u003e Brooks Nader is a great friend of the crew and always performs, irrespective of the cold or the long hours on the road. We like good energy and Brooks offers it at a level that is almost indecent.\u003cbr\u003e\u003cbr\u003e Most of all, however, I would like to thank Joe Lacob for lending me his $60m car as a prop. Joe came down from San Francisco for the shoot with his wife Nicole and they had a blast. To be fair, it was difficult not to. We wish Joe and his Golden State Warriors continued success.","brand":"David Yarrow","offers":[{"title":"94 x 109 cm (image size) | 132 x 148 cm (framed size)","offer_id":43470016741463,"sku":"DY-PH-Testarossa-94 x 109 cm (image size) | 132 x 148 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 165 cm (image size) | 180 x 203 cm (framed size)","offer_id":43470016774231,"sku":"DY-PH-Testarossa-142 x 165 cm (image size) | 180 x 203 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_400_testarossa_132x148_5c458f87-fae7-4e63-82bc-78838312de6a.jpg?v=1778871497"},{"product_id":"david-yarrow-dancing-on-ice","title":"Dancing on Ice","description":"Dancing on Ice\u003cbr\u003e St. Moritz, Switzerland – 2024\u003cbr\u003e\u003cbr\u003e The lake below the celebrated and historic Swiss community of St Moritz has been hosting sports events for 150 years; sailing in the summer months and, of course, all sorts of activities on the ice in the winter, the most spectacular and famous of which, is the White Turf racing festival held over three consecutive Sundays in February.\u003cbr\u003e\u003cbr\u003e I have been to St Moritz during this period several times over the years and the photograph I have had in mind to celebrate these fairy-tale races has never been possible because the weather hasn’t played ball. I wanted to visually glorify the amphitheatre as much as the racing itself and this required fresh snow. After a thaw, any winter town can look unexceptional, whereas after a snowfall it can look like a Disney movie or a winter wonderland from the pages of a story book.\u003cbr\u003e\u003cbr\u003e St Moritz is a sunny place and the sun facing slopes of the town and the surrounding trees can get a little messy and green after just one day of sun. From the far side of the lake, all the iconic grand hotels such as Badrutt’s Palace and the Kulm Hotel stand out, in all their glory along with the church spire and the famous old mountain railway. There can surely be no more glamorous a backdrop for a horse racetrack in the world, so long as there is fresh snow.\u003cbr\u003e\u003cbr\u003e But my needs were even more demanding than fresh snow. There had to be not just recent snow, but no falling snow, and then, if possible, I did not want the sun to be out, as, by the time the races started at 11.30am, the winter sunshine would make everything too stark. I struggle to tell a story in harsh light, as the aggressive tonal range can detract from what the artist wants to say. But I also wanted depth, so that there were layers in the photograph from the horses up front to the cable car high in the mountains in the background. To do this needed light, but just flat winter light.\u003cbr\u003e\u003cbr\u003e I woke that Sunday morning in town in February 2024 and saw my chance.  It was still snowing, but the forecast was for it to stop by 11 am.  The odds were always so low - one could wait many years to get these conditions on one of the three Sundays in February.  But on 11 February 2024, it was all there for me and I took my chance. It’s fair to say that I have been thinking about my camera settings for many years on this shot.\u003cbr\u003e\u003cbr\u003e The photograph would not have been possible without the collaboration of Dennis Schiergen, who has been at the helm of the White Turf - either as a jockey or now as its lead official - for many years. He loves the image and that makes me happy. I guess it is visually arresting, but all I was doing was photographing what was in front of my camera; I was not doing anything special. It was my view of St Moritz that was exceptional.\u003cbr\u003e\u003cbr\u003e Anyone that knows St Moritz well can look at this image for a long time and tell their own stories of misadventures somewhere in the frame. We are all storytellers and I think this photograph will elicit many a tale of winters past.","brand":"David Yarrow","offers":[{"title":"61 x 198 cm (image size) | 100 x 236 cm (framed size)","offer_id":43470031126615,"sku":"DY-PH-Dancing on Ice-61 x 198 cm (image size) | 100 x 236 cm (framed size)-AR-SI-N\/A","price":29680.0,"currency_code":"CHF","in_stock":true},{"title":"79 x 262 cm (image size) | 117 x 300 cm (framed size)","offer_id":43470031159383,"sku":"DY-PH-Dancing on Ice-79 x 262 cm (image size) | 117 x 300 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_421_Dancing_on_Ice_100x236_20copy.jpg?v=1778872500"},{"product_id":"david-yarrow-eternity","title":"Eternity","description":"Eternity\u003cbr\u003e Namibia - 2024\u003cbr\u003e\u003cbr\u003eJohn Ford said that the elemental grandeur of Monument Valley gave him an extra character for free in his movies and that was why it was his preferred filming location. If he was right, and he surely was, then the deserts of Namibia in Africa lend you at least a couple more.\u003cbr\u003e\u003cbr\u003eThe problem is that filming in the Namibian Desert is logistically a little more challenging than Arizona. The population density is 10 people per square mile - a tenth of America and in the desert, there is a palpable sense of solitude.  Outside of the capital Windhoek the infrastructure is rather basic and to film ambitious projects demands resolve and a passion for adventure. \u003cbr\u003e\u003cbr\u003eNamibia is, however, the cheetah capital of the world. Since 1990, smart conservation efforts have resulted in the population in the country growing from 1500 to 2500 - that’s one third of the planet’s total. We have long worked with the acclaimed cheetah conservationists Rudi and Marlice van Vuuren who founded the Naankuse Wildlife Sanctuary nearly 20 years ago and they partnered with us on this project in the Kanaan Desert.\u003cbr\u003e\u003cbr\u003eI had this picture in my head since Covid days but I was only able to capture it in September 2024 - good things take time. Sunrise is a dangerous time to film; there are so many traps to fall into and the optimum light is ephemeral. \u003cbr\u003e\u003cbr\u003eShooting towards the sun, which would be my default position, becomes challenging if the photograph like this is contextual as I don’t like to have the sun itself in an image; it can be a little gaudy in colour and look extremely odd in black and white.  To avoid the cliches and the tonal tension points, I prefer to film before the sun appears and this desert offers a chance as there are mountains for it to overcome. From my elevated position high in the sand dunes, the sun only arrives on stage a good 30 minutes after daylight.\u003cbr\u003e\u003cbr\u003eThere is a sense of timeless eternity to this photograph. I look at it and smile - what a wonderful planet we rent. Huge credit to Shanina Shaik, she was brilliant to work with, and cared not one bit about the 3 am wake up calls. I guess it’s not a bad place for a morning walk with a big cat.","brand":"David Yarrow","offers":[{"title":"81 x 196 cm (image size) | 119 x 234 cm (framed size)","offer_id":43470032666711,"sku":"DY-PH-Eternity-81 x 196 cm (image size) | 119 x 234 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true},{"title":"107 x 261 cm (image size) | 145 x 300 cm (framed size)","offer_id":43470032699479,"sku":"DY-PH-Eternity-107 x 261 cm (image size) | 145 x 300 cm (framed size)-AR-SI-N\/A","price":44520.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_462_eternity_124x229_f7e28a97-cdfa-4509-8947-4675f55c1d06.jpg?v=1778872670"},{"product_id":"david-yarrow-eternity-colour","title":"Eternity (Colour)","description":"Eternity (Colour)\u003cbr\u003eNamibia - 2024\u003cbr\u003e\u003cbr\u003eJohn Ford said that the elemental grandeur of Monument Valley gave him an extra character for free in his movies and that was why it was his preferred filming location. If he was right, and he surely was, then the deserts of Namibia in Africa lend you at least a couple more.\u003cbr\u003e\u003cbr\u003eThe problem is that filming in the Namibian Desert is logistically a little more challenging than Arizona. The population density is 10 people per square mile - a tenth of America and in the desert, there is a palpable sense of solitude.  Outside of the capital Windhoek the infrastructure is rather basic and to film ambitious projects demands resolve and a passion for adventure. \u003cbr\u003e\u003cbr\u003eNamibia is, however, the cheetah capital of the world. Since 1990, smart conservation efforts have resulted in the population in the country growing from 1500 to 2500 - that’s one third of the planet’s total. We have long worked with the acclaimed cheetah conservationists Rudi and Marlice van Vuuren who founded the Naankuse Wildlife Sanctuary nearly 20 years ago and they partnered with us on this project in the Kanaan Desert.\u003cbr\u003e\u003cbr\u003eI had this picture in my head since Covid days but I was only able to capture it in September 2024 - good things take time. Sunrise is a dangerous time to film; there are so many traps to fall into and the optimum light is ephemeral. \u003cbr\u003e\u003cbr\u003eShooting towards the sun, which would be my default position, becomes challenging if the photograph like this is contextual as I don’t like to have the sun itself in an image; it can be a little gaudy in colour and look extremely odd in black and white.  To avoid the cliches and the tonal tension points, I prefer to film before the sun appears and this desert offers a chance as there are mountains for it to overcome. From my elevated position high in the sand dunes, the sun only arrives on stage a good 30 minutes after daylight.\u003cbr\u003e\u003cbr\u003eThere is a sense of timeless eternity to this photograph. I look at it and smile - what a wonderful planet we rent. Huge credit to Shanina Shaik, she was brilliant to work with, and cared not one bit about the 3 am wake up calls. I guess it’s not a bad place for a morning walk with a big cat.","brand":"David Yarrow","offers":[{"title":"81 x 196 cm (image size) | 119 x 234 cm (framed size)","offer_id":43470032765015,"sku":"DY-PH-Eternity (Colour)-81 x 196 cm (image size) | 119 x 234 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true},{"title":"107 x 261 cm (image size) | 145 x 300 cm (framed size)","offer_id":43470032797783,"sku":"DY-PH-Eternity (Colour)-107 x 261 cm (image size) | 145 x 300 cm (framed size)-AR-SI-N\/A","price":44520.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_461_eternity_colour_124x229_22e17306-8728-45f6-be17-54fbcde83e3d.jpg?v=1778872691"},{"product_id":"david-yarrow-hotel-bond","title":"Hotel Bond","description":"Hotel Bond\u003cbr\u003eFurka Pass, Switzerland – 2025\u003cbr\u003e\u003cbr\u003eNo film franchise has enhanced the fame of specific locations more than Bond. To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. In 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is the Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%. Goldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Epoque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century.\u003cbr\u003e\u003cbr\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000- foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003cbr\u003e\u003cbr\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. I am sure Wes Anderson would have done the same and it did make all the difference.\u003cbr\u003e\u003cbr\u003eIf there was ever to be a Bond Hotel - I think it should be here.","brand":"David Yarrow","offers":[{"title":"94 x 170 cm (image size) | 132 x 208 cm (framed size)","offer_id":43470058717271,"sku":"DY-PH-Hotel Bond-94 x 170 cm (image size) | 132 x 208 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":43470058750039,"sku":"DY-PH-Hotel Bond-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":33920.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_557_hotel_bond_132x208x147.jpg?v=1778874239"},{"product_id":"david-yarrow-hotel-bond-colour","title":"Hotel Bond (Colour)","description":"Hotel Bond (Colour)\u003cbr\u003eFurka Pass, Switzerland – 2025\u003cbr\u003e\u003cbr\u003eNo film franchise has enhanced the fame of specific locations more than Bond. To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. In 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is the Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%. Goldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Epoque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century.\u003cbr\u003e\u003cbr\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000- foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003cbr\u003e\u003cbr\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. 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