{"title":"Nueschelerstrasse","description":"","products":[{"product_id":"tom-jacobi-dedication","title":"Dedication","description":"Dedication\u003cbr\u003eLimited Edition Photography by Tom Jacobi\u003cbr\u003e\u003cbr\u003eYear: 2018\u003cbr\u003eTechnique: Archival Pigment Print\u003cbr\u003eSigned by the artist on certificate\u003cbr\u003e\u003cbr\u003eFor sale at Petra Gut Contemporary gallery in Zurich and St. Moritz","brand":"Tom Jacobi","offers":[{"title":"122 x 164 cm (image size)","offer_id":43901013885015,"sku":"TJ-PHO-Dedication-122 x 164 cm (image size)-N\/A","price":6440.0,"currency_code":"CHF","in_stock":true},{"title":"153 x 204 cm (image size)","offer_id":43901013917783,"sku":"TJ-PHO-Dedication-153 x 204 cm (image size)-N\/A","price":26680.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/jacobi_tom_088_the_20light_20within_dedication.jpg?v=1779856409"},{"product_id":"sebastian-copeland-iceberg-ix-greenland-2010-ref-mg_5248","title":"Iceberg IX - Greenland 2010 (ref. MG_5248)","description":"Iceberg IX\u003cbr\u003eLimited Edition Photography by Sebastian Copeland\u003cbr\u003e\u003cbr\u003eYear: 2010\u003cbr\u003eTechnique: Archival Pigment Print on Canson baryta Prestige paper\u003cbr\u003eSigned by the artist on certificate\u003cbr\u003e\u003cbr\u003eFor sale at Petra Gut Contemporary gallery in Zurich and St. Moritz","brand":"Sebastian Copeland","offers":[{"title":"50 x 75 cm (image size) | 60 x 85 cm (sheet size)","offer_id":43909146837079,"sku":"SC-PH-Iceberg IX - Greenland 2010 (ref. MG_5248)-50 x 75 cm (image size) | 60 x 85 cm (sheet size)-AR-SI-N\/A","price":5198.0,"currency_code":"CHF","in_stock":true},{"title":"90 x 135 cm (image size) | 100 x 145 cm (sheet size)","offer_id":43909146869847,"sku":"SC-PH-Iceberg IX - Greenland 2010 (ref. 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But having fulfilled this desire, I have been disappointed in the reality because invariably the lure of tourism has necessitated some immediately obvious modernity in the architecture. There are, however, a few villages from the gold rush in America that remain as they were left and after exhaustive field work, I found the best final frontier ghost settlement imaginable. I cannot reveal the destination for obvious reasons, but I persuaded the local government to open up the fenced off historic site for me.\u003cbr\u003e\u003cbr\u003e\n\nIt was a treasure trove of artifacts from 100 years ago – and best of all, there was a railway station and an abandoned carriage. Inside the carriage there was a surreal canvas on which to tell a story – snow on the rotten seats, broken windows and a central corridor strewn with the remnants of decades of decay.\u003cbr\u003e\u003cbr\u003e\n\nOn my first reconnaissance to the site, I saw the possibility of telling a story, but in a dreamy creative moment I thought I might need a wolf and some brave girls. It took some time to get all the logistics in place and I then needed the support of some talented and adventurous locals. We needed to shoot early for the light to be right and for the temperature to drop well below freezing – the wolf’s breath makes such a difference to the story within the picture and would not have been possible after the light and temperature had risen.\u003cbr\u003e\u003cbr\u003e\n\nI am proud of this shot largely as it is difficult to know how it could be bettered. It is a reward for homework and logistical precision, but it is also testament to the animal handling skills of two people that were in the carriage that the lens could not see. This image will never, ever, be recreated.","brand":"David Yarrow","offers":[{"title":"94 x 157 cm (image size) | 132 x 196 cm (framed size)","offer_id":43923252183127,"sku":"DY-PH-Ride The Ghost Train-94 x 157 cm (image size) | 132 x 196 cm (framed size)-AR-SI-N\/A","price":16960.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 239 cm (image size) | 180 x 277 cm (framed size)","offer_id":43923252215895,"sku":"DY-PH-Ride The Ghost Train-142 x 239 cm (image size) | 180 x 277 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_006_ride_the_ghost_train_132x196_b6ceb9db-d2e3-41b9-a886-53ae4f7fb2cd.jpg?v=1780576504"},{"product_id":"david-yarrow-cara-cigar","title":"Cara Cigar","description":"Cara Cigar\u003cbr\u003e\nDinokeng, South Africa - 2017\u003cbr\u003e\u003cbr\u003e\n\nWhen a known photographer leaves this world, there is never the time or the space to remember too much of his or her work. There tend to be just 3 or 4 iconic images that transcend the overall body of work, that will always be remembered. It is these 3 or 4 shots that define a career.\u003cbr\u003e\u003cbr\u003e\n\nI am not sure where my career will take me and I am not sure whether I have taken an iconic image yet - I will let others decide. But I do know that this photograph, which has been unveiled today as part of the Tag Heuer Don't Crack under Pressure campaign is probably the most powerful shot that I have ever taken. Yes, it was a commercial shoot with one of the world’s most famous women, but I think it goes beyond that and the image will be coveted by collectors. It grabs the eye and then holds it in a vice-like grip. Everything about the work is viscerally powerful.\u003cbr\u003e\u003cbr\u003e\n\nI look back on that day with great emotion and there are so many people to thank. None more so than the British icon that is Cara Delevingne She is - of course - stunning, but she is also authentic and intelligent and couples this with admirable work ethic. Furthermore, on this day, she was incredibly brave and fittingly did not “crack under pressure”. This image is not manipulated - there were 5 yards between her and the lion. At no stage did she show tension or anxiety and that made my job so much easier.\u003cbr\u003e\u003cbr\u003e\n\nI think a key to the image was the reasonably powerful directional late afternoon sunlight, as the shadows on both Cara and the lion are so consistent that the authenticity of the image cannot be questioned. In the morning, the light was flatter and therefore the lion and Cara were not as visually linked as they are here.\u003cbr\u003e\u003cbr\u003e \n\nThis campaign would not have been possible without the help of Kevin Richardson in South Africa and I thank him for the awareness he brings to the plight of the lion in Africa. We know each other so well and that day in December in South Africa was the culmination of a trust that has built up over 5 years of working with each other.\u003cbr\u003e\u003cbr\u003e\n\nFinally, I would like to thank Jean-Claude Biver - the genius behind Tag Heuer for backing me to get this shot and Valerie Grande at Tag for always wearing a smile and being a delight to work with.","brand":"David Yarrow","offers":[{"title":"102 x 94 cm (image size) | 140 x 132 cm (framed size)","offer_id":43923254706263,"sku":"DY-PH-Cara Cigar-102 x 94 cm (image size) | 140 x 132 cm (framed size)-AR-SI-N\/A","price":63600.0,"currency_code":"CHF","in_stock":true},{"title":"152 x 142 cm (image size) | 191 x 180 cm (framed size)","offer_id":43923254739031,"sku":"DY-PH-Cara Cigar-152 x 142 cm (image size) | 191 x 180 cm (framed size)-AR-SI-N\/A","price":106000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_029_cara_cigar_114x109_cf85edc4-fe74-46f3-8d0f-cdeb35da4869.jpg?v=1780577062"},{"product_id":"david-yarrow-garden-of-eden","title":"Garden of Eden","description":"Garden of Eden\u003cbr\u003eAmboseli, Kenya - 2018\u003cbr\u003e\u003cbr\u003e\n\nThis is one of the most unusual contextual images I have taken in East Africa in the last few years. The white\nof the flowering meadows and the\nwhite of the summit of Kilimanjaro combine to give the image an ethereal glow. The extreme weather conditions— it had rained torrentially for four or\nfive days—resulted in an implausible theater of dreams.\u003cbr\u003e\u003cbr\u003e\n\nThere was more snow on Kilimanjaro than I have ever seen before, and the normal arid dust bowl of Amboseli was\na garden bursting into acres of white carpet. For anyone who knows this area, the combination of whites provokes a degree of visual disquietude. It was quite a remarkable sight that was all down to the freak weather.\u003cbr\u003e\u003cbr\u003e\n\nThe biblical rainfall had discouraged other visitors, so I had the amphitheater to myself. The bigger problem was that there were very few elephants in the park—the rain had pushed them out and into the forests below Kilimanjaro. I kNew, however, that there are always a good number of big elephants hanging around in the vicinity of the Kenya Wildlife Service Rangers’ headquarters.\u003cbr\u003e\u003cbr\u003e\n\nAs soon as I saw the white meadows,\nI kNew there was a chance of an image that offered a story of both lyrical\ngrace and beauty—especially if the clouds lifted and the summit of Africa’s tallest mountain was exposed for a\nfew minutes. Then I just needed the elephants—no elephants, no party. About 5:00 p.m., everything came together as a small group of elephants headed to the foothills for the night and walked right through the white meadows. Getting\nin the right place for the composition was a fairly intense 10 minutes, but I kNew this was a moment in time and I would not forgive myself if I missed it.","brand":"David Yarrow","offers":[{"title":"94 x 140 cm (image size) | 132 x 178 cm (framed size)","offer_id":43923255263319,"sku":"DY-PH-Garden of Eden-94 x 140 cm (image size) | 132 x 178 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 213 cm (image size) | 180 x 251 cm (framed size)","offer_id":43923255296087,"sku":"DY-PH-Garden of Eden-142 x 213 cm (image size) | 180 x 251 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_051_the-garden_of_eden_132x178_3b7c6e5f-a1b8-480d-bd76-50f5de2e0b58.jpg?v=1780577192"},{"product_id":"david-yarrow-good-morning-siberia","title":"Good Morning Siberia","description":"Good Morning Siberia\u003cbr\u003e\nChina, 2018\u003cbr\u003e\u003cbr\u003e\nWhen we released this powerful image on social media, we were asked what sort of lens magnification was used. Many camera enthusiasts thought that given the dangerous subject matter, it must have been a 400m telephoto lens or more, but this sort of distance compression would have taken the power away from the portrait. This photograph was actually taken with a 105m lens and the benefits are immediately clear. We were that close.\u003cbr\u003e\u003cbr\u003e\nIf a fashion photographer is working with a top model, it is most unlikely that he or she will even carry a telephoto lens to the assignment as the best distance to work from is anything from close to very close. Ideally it should be no different with a predator – but clearly there are issues with proximity, which is why I often use remote controls.\u003cbr\u003e\u003cbr\u003e\nIn this conservation area, there is no chance of using a remote as it is absolutely forbidden to step foot on the ground for patently obvious reasons. The only possibility therefore is to shoot from my caged vehicle with our camera window about 4 feet off the ground. This means that good shooting locations would be very limited, as I never really want to be above the eye of an animal – that angle of view immediately kills a sense of a real encounter. The lower the camera, the more immersive the image.\u003cbr\u003e\u003cbr\u003e\nIn our reconnaissance there was just one small hill that the vehicle could get close to in the deep snow – the topography in this part of north east China can be extremely flat and we just had to hope that the tiger would work his way to our vantage point. Vehicles cannot get stuck here, as that then poses a logistical problem, so it was all quite a riddle. It was complicated further by the fact that the light also becomes too stark by about 10 am in the winter – we were asking for a great deal to come right. The clock ticks on a cold, clear Siberian morning in January.\u003cbr\u003e\u003cbr\u003e\nIt did, however, happen and the bonus was that the tiger was enormous – maybe 750 pounds and I was working from just 5 feet away. It was a high energy moment – this is surely one of the world’s most ruthless killers.","brand":"David Yarrow","offers":[{"title":"94 x 140 cm (image size) | 132 x 178 cm (framed size)","offer_id":43923255525463,"sku":"DY-PH-Good Morning Siberia-94 x 140 cm (image size) | 132 x 178 cm (framed size)-AR-SI-N\/A","price":15900.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 213 cm (image size) | 180 x 251 cm (framed size)","offer_id":43923255558231,"sku":"DY-PH-Good Morning Siberia-142 x 213 cm (image size) | 180 x 251 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_004_good_morning_siberia_132x178_4ea6af33-28d3-45e1-9c39-fb6e14b7d8a3.jpg?v=1780577234"},{"product_id":"david-yarrow-napoleon","title":"Napoleon","description":"Napoleon\u003cbr\u003e\nSouth Georgia - 2018\u003cbr\u003e\u003cbr\u003e\n\nI still consider Luc Jacquet’s March of the Penguins from 2005 to be the most committed and heroic filmmaking project in the history of natural world documentation. From a budget of $8 million, the box office receipts topped $125 million, and rightly so.\u003cbr\u003e\u003cbr\u003e\nThe main challenge in making the documentary was the weather, with temperatures between -58 and -76 degrees Fahrenheit (-50 and -60 degrees Celsius). At dawn, the film crew would spend half an hour putting on\nsix layers of clothes, and on some days they could not spend more than three hours outside. They also worked in winds with gusts up to 125 miles per hour. But the result was an astonishing achievement and the most immersive insight into the extreme yearly life of emperor penguins. Jacquet and his team deserve every accolade they received.\u003cbr\u003e\u003cbr\u003e\nIn comparison, my work in South Georgia with king penguins was a complete walk in the park. There was absolutely nothing heroic about the trip at all and, if anything, the weather was a little too springlike to offer the kind of visceral imagery I was seeking.\u003cbr\u003e\u003cbr\u003e\nPenguins do march very much like\na military regiment, and I hoped that one day my team and I would be treated to some miserable conditions in South Georgia, as snowfall can add character to an image and endorse a sense of place. We got our day, and luckily this king penguin group obliged with this vignette. The lead guy certainly has a Napoleon look about him, and the topography of the beach added to the composition and offered some depth to the narrative.","brand":"David Yarrow","offers":[{"title":"84 x 165 cm (image size) | 122 x 203 cm (framed size)","offer_id":43923255820375,"sku":"DY-PH-Napoleon-84 x 165 cm (image size) | 122 x 203 cm (framed size)-AR-SI-N\/A","price":12720.0,"currency_code":"CHF","in_stock":true},{"title":"127 x 251 cm (image size) | 165 x 290 cm (framed size)","offer_id":43923255853143,"sku":"DY-PH-Napoleon-127 x 251 cm (image size) | 165 x 290 cm (framed size)-AR-SI-N\/A","price":20140.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_046_napoleon_122x203_91e7288f-6f06-44d0-a914-a2ffa4ca6cf8.jpg?v=1780577316"},{"product_id":"david-yarrow-the-last-supper","title":"The Last Supper","description":"The Last Supper\u003cbr\u003e\nMontana, USA 2018\u003cbr\u003e\u003cbr\u003e\nThe seeds of the idea for this staged image were planted in Art Miami in December. Da Vinci’s “The Last Supper” is one of the world’s most recognised paintings and the composition has been recreated for art many times – there is no originality in the concept of a New interpretation. In order not to give a hackneyed offering there had to be creative courage and a fresh set of characters.\u003cbr\u003e\u003cbr\u003e\n\nMontana was my best chance to be creative. I know the ghost village of Nevada City well and I kNew exactly where I would shoot. I have worked with Adam – the tame bear – before, he has been used in many films and commercials over the years and is well looked after.\u003cbr\u003e\u003cbr\u003e\n\nArt Students know only too well that the premise for the gap between Jesus and Mary in Da Vinci’s masterpiece is the subject of much debate. The consensual view is that it represents femininity and that Mary’s privileged position on Christ’s right hand side was critical to the symbolism that pervades the work.\u003cbr\u003e\u003cbr\u003e\n\nMy focus was to get that V shape as close to Da Vinci’s as possible – not the easiest of briefs given that Jesus was now a bear. There were other factors to be considered.\nFor a start, it was -10 degrees that afternoon and then some of the characters on the set were not the best of friends – a rather feudal rivalry exists between some villages high in the hills of Montana.\u003cbr\u003e\u003cbr\u003e\n\nAs much as possible, every character had to take the same pose as in the original and this required quite a bit of pre-shoot tutoring. Da Vinci’s work is maybe not as famous in Nevada City as it is in the Vatican City.","brand":"David Yarrow","offers":[{"title":"94 x 191 cm (image size) | 132 x 229 cm (framed size)","offer_id":43923257000023,"sku":"DY-PH-The Last Supper-94 x 191 cm (image size) | 132 x 229 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"127 x 257 cm (image size) | 165 x 295 cm (framed size)","offer_id":43923257032791,"sku":"DY-PH-The Last Supper-127 x 257 cm (image size) | 165 x 295 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_002_the_last_supper_132x229_aeedf1b6-b197-4725-abb4-39dbf7bd7ecb.jpg?v=1780577621"},{"product_id":"david-yarrow-the-north-slope","title":"The North Slope","description":"The North Slope\u003cbr\u003e\nAlaska, USA – 2018\u003cbr\u003e\u003cbr\u003e\n\nThis photograph taken high up on the North Slope of Alaska is special to\nme. The encounter in this bitterly cold sandbank near Prudhoe Bay seems almost surreal. It is a photograph I had always aspired to take. The best pictures can never be retaken.\nThere were two or three key elements to its capture. First, because the physical enormity of an adult bear is best conveyed head-on and from low on the ground, my team and I had to try and find a position where the terrain offered a horizon and an incline between me and the bear. The second and more important dynamic was to use the 25-mile-per- hour wind to our favor. Bears can smell us from a long way away if they are downwind. The overriding factor, of course, was my team’s safety. At all times we had to have an escape route. We kNew what to do here, and we had the best Inuit guide in the area. We felt safe with him, but please do not try this at home.\u003cbr\u003e\u003cbr\u003e\nThis bear is enormous, and my positioning shows that off. It was all over in maybe five seconds, but I will never forget them.\u003cbr\u003e\u003cbr\u003e\nPeople understandably worry about polar bear numbers, but rest assured there are still a lot of big, healthy bears\non the North Slope. I think we saw\nmore than 25 in a week. There are two conceivable causes of habitat loss for polar bears: one from global warming and one from population growth and human encroachment. While both seem distant right now, they are certainly issues that need to be monitored and addressed.","brand":"David Yarrow","offers":[{"title":"94 x 152 cm (image size) | 132 x 191 cm (framed size)","offer_id":43923257065559,"sku":"DY-PH-The North Slope-94 x 152 cm (image size) | 132 x 191 cm (framed size)-AR-SI-Nr. 4","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 231 cm (image size) | 180 x 269 cm (framed size)","offer_id":43923257098327,"sku":"DY-PH-The North Slope-142 x 231 cm (image size) | 180 x 269 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_027_north_slope_132x191_7f7aceb0-9b74-45c4-b92f-4c91da532d3a.jpg?v=1780577641"},{"product_id":"david-yarrow-amarillo-by-morning","title":"Amarillo by Morning","description":"Amarillo by Morning\u003cbr\u003e\nTexas, USA – 2020\u003cbr\u003e\u003cbr\u003e \n\nWagons evoke childhood memories of watching John Wayne Westerns on the Bbc on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense.\u003cbr\u003e\u003cbr\u003e\n\nAnyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do.\u003cbr\u003e\u003cbr\u003e\n\nI think it works and I have always wanted to have a picture with this title. I am sure they made it to Amarillo by morning.\u003cbr\u003e\u003cbr\u003e\n\nThe whole image smells of old Texas and that was the goal.","brand":"David Yarrow","offers":[{"title":"94 x 175 cm (image size) | 132 x 213 cm (framed size)","offer_id":43923264241751,"sku":"DY-PH-Amarillo by Morning-94 x 175 cm (image size) | 132 x 213 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true},{"title":"140 x 262 cm (image size) | 177 x 300 cm (framed size)","offer_id":43923264274519,"sku":"DY-PH-Amarillo by Morning-140 x 262 cm (image size) | 177 x 300 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_108_Amarillo_20by_20Morning132x213.jpg?v=1780578742"},{"product_id":"david-yarrow-local-hero","title":"Local Hero","description":"Local Hero\u003cbr\u003e2020","brand":"David Yarrow","offers":[{"title":"94 x 109 cm (image size) | 133 x 147 cm (framed size)","offer_id":43923277676631,"sku":"DY-PH-Local Hero-94 x 109 cm (image size) | 133 x 147 cm (framed size)-AR-SI-Nr. 3","price":42400.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 165 cm (image size) | 180 x 203 cm (framed size)","offer_id":43923277709399,"sku":"DY-PH-Local Hero-142 x 165 cm (image size) | 180 x 203 cm (framed size)-AR-SI-N\/A","price":49820.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_103_local_hero_23161bd1-c5b2-445e-812c-46852511eddc.jpg?v=1780579271"},{"product_id":"david-yarrow-the-mob","title":"The Mob","description":"The Mob\u003cbr\u003e \nAmboseli – 2019 \u003cbr\u003e\u003cbr\u003e\n\nTo find two of the world’s remaining 20 big tusker elephants side by side was a huge privilege and I felt a responsibility to get it right. Tim and Craig are colossal mammals and dominated a formidable front line of big bulls that morning in Amboseli. To be so close to two of the biggest elephants in the world and photographing from the ground up was as intense a 30 seconds in the field as I can remember.  I was fortunate with the soft light and the background - both of which were out of my control. We were packed up and celebrating back at camp by 8.30 am.\u003cbr\u003e\u003cbr\u003e\n\nThis is probably my lead shot of 2019 and I am deeply grateful to my guide - Juma Wanyama - without which it would not have been possible. Not only does he facilitate my partnership with the street smart Masai spotters whom I asked to search for Tim and Craig at first light, he has also helped develop my working relationship with the Kenyan Wildlife Service (Kws) who oversee and support my work in Amboseli. It is not on paper, but I believe that the considerable sums we give back to conservation in Africa (over $1m a year) helps our cause with the Kws.\u003cbr\u003e\u003cbr\u003e\n\nHowever, Juma’s key skill is his understanding of the mood of both Tim and Craig and their willingness to tolerate my presence in their space. He worked wonders to allow this epic encounter to materialise.  I have total trust in Juma and I think he also knows, after eight years of working together, that I am responsible when out of the jeep. 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If it was the same bison, in the same field at midday in the summer, there would be nothing special at all. I am reminded that we always have to fight to get what we want. Big bull bison in the snow as a starting concept is appealing as they are primeval beasts that survived an ice age and portraits work best when their faces look like monsters from Game of Thrones.\u003cbr\u003e\u003cbr\u003e\n\nWhen working in heavy snowfall, there is a need to be as close to the subject as possible so as to reduce the number of snowflakes hitting the line of path between the camera and the subject. Too much and the whole thing becomes a little too abstract.\u003cbr\u003e\u003cbr\u003e\n\nIt is not permitted to be within 25 metres of a bison in Yellowstone and this rule is often enforced in a charmless and dictatorial way. There is actually a prison at the north entrance in Yellowstone and visitors are left in little doubt that transgressions within the park could lead to the transgressor serving time.\u003cbr\u003e\u003cbr\u003e\n\nThat morning in early January 2020, I did not have a measuring tape with me, but I guess I was as close as I could be and maybe a little more. But I was on my own - clearly no one else was daft enough to be out there in that storm just after sunrise. I think the amount of snow detail between the camera and the bison adds to the mood of the image. Winter was very clearly coming.","brand":"David Yarrow","offers":[{"title":"94 x 94 cm (image size) | 132 x 132 cm (framed size)","offer_id":43923297632343,"sku":"DY-PH-Winter's Coming-94 x 94 cm (image size) | 132 x 132 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 142 cm (image size) | 180 x 180 cm (framed size)","offer_id":43923297665111,"sku":"DY-PH-Winter's Coming-142 x 142 cm (image size) | 180 x 180 cm (framed size)-AR-SI-N\/A","price":39220.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_102_winter_s_coming_132x132_8697671f-1f43-4d33-9efc-0848aba475d4.jpg?v=1780580578"},{"product_id":"david-yarrow-iron-horse-ii","title":"Iron Horse II","description":"Iron Horse II\u003cbr\u003eDurango, Colorado, USA - 2021\u003cbr\u003e\u003cbr\u003e The iron horse was as vital to the push west in America as the horse itself. The railroads linked the west to the nation as a whole and steam engines added a glamorous component to the wild west visual narrative.\u003cbr\u003e\u003cbr\u003e In researching my anthology to this period in American history, I was - as a romanticist - drawn towards these railroads.  The research led us to the famous Durango to Silverton steam train in Colorado, partly because the track runs through the most dramatic of landscapes, but also because the narrow gauge track service remains largely the same as it was when the railroad opened in 1882. The iron horses themselves are authentic and in excellent working order.\u003cbr\u003e\u003cbr\u003e We want to thank the owners of the train for collaborating with us on this project. We scouted for two days and then shot for a further two. Some of the staff were kind enough to say that this photograph is the most powerful they have ever seen of this famous train journey high in the Colorado mountains. I don’t know about that, but it is certainly my strongest image for many a month.\u003cbr\u003e\u003cbr\u003e I knew as soon as I took the picture that we had something and I have many people to thank - in particular the horse owners and cowboys. Positioning horses by a cliff edge with a steam engine coming around the corner requires top professionals and that is exactly what we had.  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On calm days at sea, a spectacular courting ritual unfolds during which the rays show off by jumping several metres out of the sea. It is one of the most surreal sights to witness anywhere in the world. In the ocean, mobula rays look as one would expect, but when flying through the air, they look like aliens or spaceships. They are quite literally a fish out of water. I have no preconception as to what a “Mars Attack” might look like, but this is hopefully the closest I will get to it.\u003cbr\u003e\u003cbr\u003e There are a few dilemmas on this location for the filmmaker. Firstly, the action often takes place 90 minutes from port and the light and the activity are at their best in the hour before sunset. We also discovered that the wind picks up after the sun sets. Secondly, I wanted to be as low as possible and this ruled out hiring larger more comfortable boats.\u003cbr\u003e\u003cbr\u003e There was no way we would sacrifice content, so we had no choice but to spend a few dark evenings returning home in quite rough seas in a small fishing boat. But that was still the right trade. There are no shortcuts in this gig.\u003cbr\u003e\u003cbr\u003e I took a great deal of frames over the week, but it is such a low percentage assignment that just three or four did justice to the spectacle. It requires quick reactions and - as always - good fortune. Much depends on the alertness and manoeuvering skills of the captain of the boat. I was fortunate to work in La Paz with my fellow Londoner - Luke Inman - who now lives in the city and knows the sea and sealife there as well as anyone. He hired the boat captain - Tony Ruelas - and this picture is as much his as it is mine.\u003cbr\u003e\u003cbr\u003e What a planet we live on.","brand":"David Yarrow","offers":[{"title":"94 x 137 cm (image size) | 132 x 175 cm (framed size)","offer_id":43923301990487,"sku":"DY-PH-Mars Attacks!-94 x 137 cm (image size) | 132 x 175 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 208 cm (image size) | 180 x 246 cm (framed size)","offer_id":43923302023255,"sku":"DY-PH-Mars Attacks!-142 x 208 cm (image size) | 180 x 246 cm (framed size)-AR-SI-N\/A","price":33920.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_219_mars_attacks_132x175_896c7432-c3c6-4662-9416-7013ddeade37.jpg?v=1780581122"},{"product_id":"david-yarrow-but-why-is-the-rum-gone","title":"But why is the rum gone","description":"But Why Is the Rum Gone\u003cbr\u003eAnguilla – 2022\u003cbr\u003e\u003cbr\u003eCaptain Morgan is a name we all know. The Welsh Privateer, whom the rum brand is named after, was, by all accounts, a menace in the West Indies in the 17th century, raiding many Spanish settlements under the authority of the British flag and then taking the bounty himself. His life was romanticised after his death and he became the inspiration for pirate-themed works of fiction across a range of genres.\u003cbr\u003e\u003cbr\u003eHis apparent lack of ethics nearly 400 years ago has done Captain Morgan’s owners Diageo no harm, with the brand selling over $500m a year in America alone.  Rum brings out the pirate in all of us and Disney made full use of that with the catch phrase of their Pirates of the Caribbean franchise being “But why is the rum gone?”\u003cbr\u003e\u003cbr\u003eI wanted to film pirate characters in as authentic a beach bar as I could find. The game of naming one’s favourite beach bar is played worldwide and will always be a deeply personal choice, as with “Death Row meal” or “fishing cabin guests”. In the Uk, there are fewer pirates and it’s a world removed from the Caribbean, but my personal favourite bars by the sea are the Applecross Inn in Strathcarron, Scotland and the Sloop Inn near my home in Thurlestone, Devon. Both have a rustic charm and attract clientele smelling of the sea, but Captain Morgan types are rare.\u003cbr\u003e\u003cbr\u003eMuch further afield, it is worth the trip alone, to visit the renowned beach bar and restaurant Parador La Huella in Jose Ignacio, Uruguay, to see beach entertainment done properly. It is effortlessly magical and has rightly earned its place in beach bar history. I was in Buenos Aires with a friend not too long ago and I said we had to go there for lunch.  He did not thank me when, after six hours, we were still an hour away, but when we arrived he was forever thankful. It is that good.\u003cbr\u003e\u003cbr\u003eBut for this shoot, we were necessarily in the Caribbean and much of the beach side offerings I know are modular, stiff and banal. I wanted raw authenticity and a hint of historically bad behaviour, a place where upon arrival you hope that the walls - or what’s left of them - can talk.\u003cbr\u003e\u003cbr\u003eBankie Banx’s Dune Preserve in Anguilla is that bar. It is the sole reason some people come to Anguilla and yet it is hopelessly uncommercial. At times the bar becomes an ‘“Honesty Bar”.  Part of its charm is that almost everyone that works there is high.\u003cbr\u003e\u003cbr\u003eSo, the Dune was where we shot - there was no Plan B. I hope all those that see this photograph rather wish they were there that night. What could possibly go wrong with that crew? I think everyone did a great job and of course Bankie Banx steals the show.  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As soon as I was shown the facade, I kNew there was a photograph to be had; especially at night when we could make full use of the neon lights in the windows.\u003cbr\u003e\u003cbr\u003eThe name of the saloon gave me as much scope as I needed in the narrative - the winners were clearly the ones leaving, not the patrons inside.\u003cbr\u003e\u003cbr\u003eThere was just enough light to freeze the passengers, but never enough to freeze the money - but that kind of worked for me.","brand":"David Yarrow","offers":[{"title":"89 x 173 cm (image size) | 127 x 211 cm (framed size)","offer_id":43923308740695,"sku":"DY-PH-Empty Pockets Saloon-89 x 173 cm (image size) | 127 x 211 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true},{"title":"132 x 259 cm (image size) | 170 x 297 cm (framed size)","offer_id":43923308773463,"sku":"DY-PH-Empty Pockets Saloon-132 x 259 cm (image size) | 170 x 297 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_297_the_empty_pockets_saloon_127x211_8f145d45-a188-4fdc-a1c8-fec630734653.jpg?v=1780581791"},{"product_id":"david-yarrow-fully-engaged","title":"Fully engaged","description":"Fully Engaged\u003cbr\u003e  South Africa - 2022\u003cbr\u003e\u003cbr\u003e    Over the years, I have marginally tweaked my approach to filming lions at Kevin Richardson’s sanctuary in South Africa. Lying flat in my cage in the grasses, I now accept that in their winter, at first light, I am going to get dirty and cold. I want to shoot 20 degrees either side of the rising sun to get some backlight without too much flair. The key variable for me, however, is for there to be a real sense of engagement and that does mean that we need to work close and put full faith in both Kevin and the sturdiness of his cages.\u003cbr\u003e\u003cbr\u003e    Immersive photography of big cats is not a high percentage game, and we accept that we fail more often than we succeed. The upside is, when everything does work, especially with a handsome male lion like Yame, the rewards are high.\u003cbr\u003e\u003cbr\u003e  I would be the first to say that in photographs such as this, the credits go to Kevin, the lion and the high- performance camera. 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In most cases, it is all three of these issues and this is no surprise as lions do not live in studios and are also extremely dangerous.\u003cbr\u003e\u003cbr\u003e The opportunity to take this portrait of the most handsome lion in Kevin Richardson’s sanctuary in South Africa came about because of the cave that we had built for our Daniel project. There was just one source of light from the opening behind my cage and by the time the light reached Yame’s face it was even and kind. This allowed me to glorify the detail in a lion’s face in a way that I have never previously been able to do.\u003cbr\u003e\u003cbr\u003e My preference is for his look to be head on and symmetrical.  I knew that even the most marginal of compositional imbalances would have a visual impact and the key was to be patient and retain concentration at all times. If I put the camera down, or had a breather, there would be every chance I would lose the moment of a true 180 degree face off.\u003cbr\u003e\u003cbr\u003e The result makes me happy. It conveys regality, beauty and wisdom - all leading characteristics of adult lions. They are the Kings of Africa and I think in those precious moments in the cave, Yame had quite a lot to tell me.","brand":"David Yarrow","offers":[{"title":"112 x 94 cm (image size) | 150 x 132 cm (framed size)","offer_id":43923329744983,"sku":"DY-PH-The King's Speech-112 x 94 cm (image size) | 150 x 132 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true},{"title":"168 x 142 cm (image size) | 206 x 180 cm (framed size)","offer_id":43923329777751,"sku":"DY-PH-The King's Speech-168 x 142 cm (image size) | 206 x 180 cm (framed size)-AR-SI-N\/A","price":49820.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_283_the_king_speech_150x132_b65fb9b4-1b55-4d8e-897d-8fd9a553b779.jpg?v=1780582383"},{"product_id":"david-yarrow-the-lions-den","title":"The Lion's Den","description":"The Lion's Den\u003cbr\u003eSouth Africa – 2022\u003cbr\u003e\u003cbr\u003e The Wolf of Main Street - taken in 2015 - started my storytelling adventures as a photographer and in retrospect it was a pivotal moment in my career. I enjoyed the cognitive process and making a picture as opposed to taking it and the result resonated with an audience that was, perhaps, a little tired of my literal work.\u003cbr\u003e\u003cbr\u003e I don’t think it pays to be too earnest and photographs that ask questions, rather than give answers, appeal to those who prefer to interpret rather than be taught. The wolf on the bar offered more authenticity than generic wildlife work and that served as a prompt to me.\u003cbr\u003e\u003cbr\u003e Seven years on and it was time to raise the bar literally and metaphorically. I wondered whether we could play on the expression - The Lion’s Den - by introducing a lion into my bar series. The only place where this production would be possible was at Kevin Richardson’s lion sanctuary in South Africa; we have partnered for eight years and the collaboration has been mutually beneficial.\u003cbr\u003e\u003cbr\u003e The Dinokeng reserve north of Pretoria is a long way from my comfort zone of the mountain bars of Montana but the premise was the same, tell a bar story offering contextuality in both decor and clientele. I wanted the vibe to be emphatically colonial sub-Saharan Africa.\u003cbr\u003e\u003cbr\u003e However, Kevin has no bars on his property and we knew that we had no choice but to build one. The positive was that he felt one of his favourite lions under his care - BobCat - would enjoy the adventure of a new attraction in his acreage.  Provided I was safely in a cage, I could try and capture Kevin enticing Bobcat along a bar like a catwalk. If we were successful, we could then introduce a cocktail of characters once BobCat - like Elvis - had left the building.\u003cbr\u003e\u003cbr\u003e Bobcat behaved exactly as Kevin suggested and had little interest in leaving his new playground.  He was having way too much fun. Shooting at night, however, gave us the luxury of time and we called in the rest of the cast when Bobcat went home.\u003cbr\u003e\u003cbr\u003e I look at the end result of that day and ask myself - who would not want to have a drink in this “Lion’s Den”? 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The reality is, of course, that this photograph celebrates a far newer relationship than the marriage in Scotland, but both unions will continue in perpetuity, passed down from generation to generation. Aspen is a vortex of pleasure and misadventure few can escape from and this spectacular vista is part of its unique appeal.\u003cbr\u003e\u003cbr\u003e Whatever lies ahead for Aspen, no generation will probably have more fun than the free loving hipsters of the 1970s who made the town a Bohemian hot spot. The once silver mining town, nestling at 9000 feet, became an unlikely Rock and Roll town drawing established and aspiring creatives from every corner of the United States. It may have been a growing haven for the Hollywood elite, but it welcomed talent and bad behaviour more than it did wealth. I have a sense that in the 1970s Aspen was as loosely governed as it was back in 1880 when it was a frontier mining town, that would be quite an achievement.\u003cbr\u003e\u003cbr\u003e The model - Kate Bock - reminds me a little of Heather Graham in Austin Powers in this throwback shot, taken late one winter afternoon from Hunter Creek Road. She plays a confident hippy, flying solo with ease and was made for this kind of shot. Meanwhile, the yellow of the Porsche works well against the flat winter light. 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Some have come close and we do regularly work with people who dance on the edge of permitted behaviour, but we held out looking for the perfect picture. Breaking Bad was an epic, game changing series and anything that borrows the name must be visually appropriate as well as eye grabbing and powerful.\u003cbr\u003e\u003cbr\u003e I had long sensed that the concept of filming with Cindy Crawford in a Californian Biker Bar had potential, especially if the bikers had a palpable sense of menace and trouble. I knew that she could more than hold her own in playing bad ass and therefore there could be unity across the ensemble, irrespective of the apparent rogue member. I need a collective, not six or seven individuals.\u003cbr\u003e\u003cbr\u003e The interior of Joshua Tree Saloon in the town of the same name, offered a great canvas on which to paint this story and as always there was a jeweller’s eye attention to detail. I required as much information in one frame as possible and this demanded that I use width rather than height.\u003cbr\u003e\u003cbr\u003e When I saw the result, I sensed I had my Breaking Bad shot. There is nothing I would change in it and I think Bryan Cranston et al would feel rather at home in the saloon.  There seems little appetite for cultural refinement or mundane conversation.\u003cbr\u003e\u003cbr\u003e Cindy excels at this kind of work and it is always a privilege to work with her. She absolutely smashed the role I asked her to play that day and now we have the long sought after picture.","brand":"David Yarrow","offers":[{"title":"81 x 175 cm (image size) | 145 x 213 cm (framed size)","offer_id":43923374735447,"sku":"DY-PH-Breaking Bad-81 x 175 cm (image size) | 145 x 213 cm (framed size)-AR-SI-N\/A","price":34980.0,"currency_code":"CHF","in_stock":true},{"title":"122 x 262 cm (image size) | 160 x 300 cm (framed size)","offer_id":43923374768215,"sku":"DY-PH-Breaking Bad-122 x 262 cm (image size) | 160 x 300 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_387_breaking_bad_145x213_3f4a6d87-d3ae-4b95-8ae4-29543cba2e91.jpg?v=1780583388"},{"product_id":"david-yarrow-cresta-st-moritz-switzerland","title":"Cresta, St. Moritz, Switzerland","description":"Cresta, St. Moritz, Switzerland\u003cbr\u003eSt Moritz, Switzerland - 2023\u003cbr\u003e\u003cbr\u003e What makes the Cresta Club in St Moritz unique is not the racetrack , or the setting, but its members. I knew from the moment that I undertook this project, that a single photograph would fail if I didn't convey, not a sense of place, or the sport itself, but a sense of “Club”.\u003cbr\u003e\u003cbr\u003e The Cresta Club, officially known as the St Moritz Tobogganing Club, has been in existence since 1887 and remains one of St Moritz’s most exclusive institutions - and there are quite a few. It has a very British stamp to it and there is a sense of being at an old boys reunion at Harrow, but it welcomes all nations and all characters. For what could be a rather stuffy golf club culture, it is defined by its lack of stuffiness.  It is a Club where people have fun and refuse to grow up and surely that should always be applauded.\u003cbr\u003e\u003cbr\u003e My dilemma was how to take a picture that was authentic, fun and told a story of its members. I needed the track and a rider, but I also needed the faces in the crowd. For safety reasons these subjects tend to be mutually exclusive.\u003cbr\u003e\u003cbr\u003e The solution was for me to positioned just down the track from the start and roped in like a mountaineer so that I didn't travel down the course on my backside with my cameras. I knew already how treacherous it is as I slipped in my early morning reconnaissance and lost a tooth. The Cresta Run is 3\/4s of a mile of downhill sheet ice; start falling down the tunnel and you have a long way to go until you stop.\u003cbr\u003e\u003cbr\u003e The Club was entertained by my planned position and graciously roped me in.  I doubt a camera had ever had this angle before - well certainly not with a rider as glamorous as Frida Aasen on the skeleton. The members behind her were doing what they do best - enjoying the day.","brand":"David Yarrow","offers":[{"title":"94 x 152 cm (image size) | 132 x 191 cm (framed size)","offer_id":43923375259735,"sku":"DY-PH-Cresta, St. Moritz, Switzerland-94 x 152 cm (image size) | 132 x 191 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 229 cm (image size) | 180 x 267 cm (framed size)","offer_id":43923375292503,"sku":"DY-PH-Cresta, St. Moritz, Switzerland-142 x 229 cm (image size) | 180 x 267 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_329_cresta_132x191_b5217f61-c2b0-469f-95f2-1457ac46919b.jpg?v=1780583519"},{"product_id":"david-yarrow-dracula-st-moritz-switzerland","title":"Dracula, St. Moritz, Switzerland","description":"Dracula, St. Moritz, Switzerland\u003cbr\u003eSt Moritz, Switzerland - 2023\u003cbr\u003e\u003cbr\u003e There is a strong collective who would vote Dracula Club in St Moritz as the best night club in the world. If they are out voted, they will ascribe the loss to demographics and ignorance and will hold out on their conviction to their dying day.  I think I may be one of those unflinching disciples and I have been to a few night clubs in my life. I am not a member, but I have the context to admit that there are truly no places quite like it. The famed devotees of St Moritz may just be right.\u003cbr\u003e\u003cbr\u003e The cavernous and yet cohesive chalet is a microcosm of St Moritz, a town known from the outside for its prosperity and glamour, but from the inside for its frivolity and loose governance. If there is a decadence in town, it is dwarfed by the lightness of touch. Dracula is Chitty Chitty Bang Bang meeting Studio 54 and when I see 85-year-olds dancing energetically and in time with their grandson’s girlfriend and no one batting an eyelid, I know I have found an antidote to oppressive woke culture.\u003cbr\u003e\u003cbr\u003e It was Gunter Sachs who put St Moritz on the party map. When he moved there with his wife Brigitte Bardot, he wanted to have his own club and so Dracula was born. On his passing, the club’s governance passed to his son Rolf - a man of great charm, formidable intellect and creative sensibility. It was Rolf who gave me permission to bring a film crew into this most exclusive of clubs and I was determined to reward his faith - there would be no second chance. Dracula doesn’t do film crews.\u003cbr\u003e\u003cbr\u003e When I am asked about the vibe in St Moritz, many are looking for the negative angles that come from observing privilege and excess. But I simply applaud those living life to the full.\u003cbr\u003e\u003cbr\u003e As Confucius said in 550 Bc: “We have two lives; the second begins when we realise we only have one.”","brand":"David Yarrow","offers":[{"title":"94 x 130 cm (image size) | 132 x 168 cm (framed size)","offer_id":43923375652951,"sku":"DY-PH-Dracula, St. Moritz, Switzerland-94 x 130 cm (image size) | 132 x 168 cm (framed size)-AR-SI-N\/A","price":15900.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 196 cm (image size) | 180 x 234 cm (framed size)","offer_id":43923375685719,"sku":"DY-PH-Dracula, St. Moritz, Switzerland-142 x 196 cm (image size) | 180 x 234 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_330_dracula_132x168_876f46af-7f13-4cb4-a3e6-7637c8296e6f.jpg?v=1780583593"},{"product_id":"david-yarrow-ice-ice-baby-colour","title":"Ice, Ice Baby (colour)","description":"Ice, Ice Baby (colour)\u003cbr\u003eOslo, Norway – 2023\u003cbr\u003e\u003cbr\u003e The thought process that led to this image from Norway was to be long of parody and playful. The camera should dive into the pages of a Polar explorer storybook for 95% of the image and then dive into the pages of Vogue for our lead - Brooks Nader.\u003cbr\u003e\u003cbr\u003e Brooks recently appeared on the front cover of the 2023 Sports Illustrated Swimsuit edition and I knew that she was perfect for this role. Her default position is to have fun and get into character which makes her easy to direct and the camera loves her. It was a long way for her to come for a one-day shoot, but she approaches every job with sensibility and gusto.\u003cbr\u003e\u003cbr\u003e To juxtapose a Sports Illustrated Swimwear model next to some frosty and unrefined explorers from bygone days is a risk conceptually if there is no wider context. In these ideas, there is every chance the result can be a bit one dimensional and gratuitous. I am paranoid of the mundane which means we tend to give these ideas a great deal of thought. In this case, the structural background was helpful and I think the fire and the falling snow were necessary extras to give the story a broader narrative.\u003cbr\u003e\u003cbr\u003e We tend to work almost always in monochrome, but we do think that this photograph works well in colour as well because of the limited colour range and the sense of warmth offered from the fire and its glow.\u003cbr\u003e\u003cbr\u003e","brand":"David Yarrow","offers":[{"title":"94 x 168 cm (image size) | 132 x 206 cm (framed size)","offer_id":43923377258583,"sku":"DY-PH-Ice, Ice Baby (colour)-94 x 168 cm (image size) | 132 x 206 cm (framed size)-AR-SI-N\/A","price":24380.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 251 cm (image size) | 180 x 290 cm (framed size)","offer_id":43923377291351,"sku":"DY-PH-Ice, Ice Baby (colour)-142 x 251 cm (image size) | 180 x 290 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_691_ice_ice_baby_colour_132x206_8613890c-89fc-4f0f-a00d-9e676fa78b88.jpg?v=1780583935"},{"product_id":"david-yarrow-james-ii-st-moritz","title":"James ? II, St. Moritz","description":"James ? II, St. Moritz\u003cbr\u003eSt Moritz, Switzerland - 2023\u003cbr\u003e\u003cbr\u003e Ever since the Bond car chase sequence in Goldfinger was shot in the Furka Pass in 1964, Aston Martins and Swiss mountains have been visually tied. Snow and James Bond have also been regular bed fellows.\u003cbr\u003e\u003cbr\u003e To take a still that plays to a Bond vibe is risky, any shortcomings will be ridiculed by the devotees and we have waited for our moment. There needs to be a strong concept and a strong execution.\u003cbr\u003e\u003cbr\u003e This lay-by at the top of the Bernina Pass connects the famous resort town of St. Moritz in the Engadin valley with the Italian-speaking Val Poschiavo, in the Italian town of Tirano. The Bernina Pass - opened in 1865 - is one of the great stretches of mountain road in Europe.\u003cbr\u003e\u003cbr\u003e I managed to get hold of a Db4 from a collector in Zurich and with great care it was positioned by the roadside at dawn. My fellow Scot, Sean Connery, is, of course, sadly no longer with us, but I felt I could tell enough of a Bond story without him, I would just leave the viewer to interpret the scene.\u003cbr\u003e\u003cbr\u003e Erica Lawrence from Brooklyn New York played basketball in her youth and it is easy to see why from this picture. She is a good friend and so happy to play this kind of role. I wanted glamour and sex appeal to the point of parody, after all, we are 15 minutes from St Moritz and we have a Bond Car - how could there be any other narrative?","brand":"David Yarrow","offers":[{"title":"94 x 142 cm (image size) | 132 x 180 cm (framed size)","offer_id":43923377455191,"sku":"DY-PH-James ? 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It is rare to see paws captured like this and I sense they add something rather special to a dynamic portrait.\u003cbr\u003e\u003cbr\u003e Thanks to the Marvel series, a Black Panther is a metaphor as much as it is a predator. They are not easy to photograph and I tend to work from inside a heavy cage. Over the years I have fine-tuned my approach and the rewards are getting stronger.\u003cbr\u003e\u003cbr\u003e We looked at the crop for this image for some time and found the vertical format best suited the content in the frame.","brand":"David Yarrow","offers":[{"title":"114 x 94 cm (image size) | 152 x 132 cm (framed size)","offer_id":43923380535383,"sku":"DY-PH-Sex Panther-114 x 94 cm (image size) | 152 x 132 cm (framed size)-AR-SI-N\/A","price":0.0,"currency_code":"CHF","in_stock":false},{"title":"170 x 142 cm (image size) | 208 x 180 cm (framed size)","offer_id":43923380568151,"sku":"DY-PH-Sex Panther-170 x 142 cm (image size) | 208 x 180 cm (framed size)-AR-SI-N\/A","price":44520.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_383_sex_panther_152x132_04bce838-34c4-45ce-abc8-e7b091d604e6.jpg?v=1780584162"},{"product_id":"david-yarrow-st-moritz-switzerland","title":"St. Moritz, Switzerland","description":"St. Moritz, Switzerland\u003cbr\u003eSt Moritz, Switzerland – 2023\u003cbr\u003e\u003cbr\u003e I photographed luge and bobsleigh in the Calgary Olympics way back in 1988, so spending some time with the St Moritz Tobogganing Club, or the Cresta Club as it is more commonly known, was not all new territory. But my goal was very different this time around; this was an art project, not sports photography.\u003cbr\u003e\u003cbr\u003e St Moritz is fabled for its glamour, its authenticity, its frivolity and its thrill chasing. It is a Peter Pan playground that remembers that life is for living. No part of the fabric of this community embraces these values more than the Cresta Run.\u003cbr\u003e\u003cbr\u003e I want to thank the Smtc Committee for agreeing to work with me and I hope the photographs I took that sunny morning in February 2023 will stand the test of time.  It was certainly a great deal of fun.  I don’t think many have had the access and opportunity I had that day.\u003cbr\u003e\u003cbr\u003e The real star of the show was leading Norwegian model Frida Aasen, who dazzled in her red styling. Her look and posture were pivotal to the image working.  After all, in staged photographs like this, there is no room for error. This is St Moritz and getting it 80% right is not good enough, it must be 100%. Frida is one of the easiest models I know to shoot - the camera loves her.\u003cbr\u003e\u003cbr\u003e I don’t take myself too seriously and I certainly don't want to be earnest.  I want to have fun and tell stories. Little surprise that we enjoyed ourselves that day at this exclusive institution with its charming members.  There is a humour and lightness of touch that is refreshing in today’s world.","brand":"David Yarrow","offers":[{"title":"94 x 122 cm (image size) | 132 x 160 cm (framed size)","offer_id":43923380961367,"sku":"DY-PH-St. Moritz, Switzerland-94 x 122 cm (image size) | 132 x 160 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 183 cm (image size) | 180 x 221 cm (framed size)","offer_id":43923380994135,"sku":"DY-PH-St. Moritz, Switzerland-142 x 183 cm (image size) | 180 x 221 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_328_st_moritz_132x168_98866ecd-ce88-4dc0-93ba-d193fa368edf.jpg?v=1780584223"},{"product_id":"david-yarrow-the-goats-of-st-moritz","title":"The Goats of St. Moritz","description":"The Goats of St. Moritz\u003cbr\u003eSt Moritz, Switzerland – 2023 \u003cbr\u003e\u003cbr\u003e The great contradiction of St Moritz is that for all its glamour, wealth and club culture, it is a surprisingly inclusive place. The town is homely and welcoming before it is snobbish and elitist. For the cynics, this is unimaginable, but it is the reality and it is part of the fabric that makes the town so magical.\u003cbr\u003e\u003cbr\u003e The artisans and farmers of the Engadin are accorded no less respect simply because they don’t shop at Gucci or lunch at the ski clubs in the mountains. The joy and happiness of living in this amphitheatre is not a tiered system. It envelopes the whole community and the community is better for it.\u003cbr\u003e\u003cbr\u003e These thoughts were not far from my mind when I invited a goat and some farmers into the shoot at the famous Renaissance Bar at Badrutt’s Palace.  They are as much a part of the Engadin community as the technology and finance titans who sip espresso martinis and smoke cigars on the old swivel chairs at the bar.\u003cbr\u003e\u003cbr\u003e I wanted to centre this story around Brigitte Bardot glamour.  After all, she is an integral part of St Moritz’s history. The girls in the frame - Nadine Leopold and Frida Aasen - were magnificent and styled wonderfully by the team and then we just had to fit in the lead staff of Badrutt’s and a few local bar regulars who may or not be Goats in their own world. It was chaos but then again, that bar is never that orderly.\u003cbr\u003e\u003cbr\u003e This will always be a bar I want to go to.  It’s an Agatha Christie set where everyone is innocent until they are not. It is theatre at its Alpine best and one-dimensional resorts like Courchevel cannot compete.","brand":"David Yarrow","offers":[{"title":"94 x 193 cm (image size) | 132 x 231 cm (framed size)","offer_id":43923390431319,"sku":"DY-PH-The Goats of St. Moritz-94 x 193 cm (image size) | 132 x 231 cm (framed size)-AR-SI-N\/A","price":24380.0,"currency_code":"CHF","in_stock":true},{"title":"127 x 262 cm (image size) | 165 x 300 cm (framed size)","offer_id":43923390464087,"sku":"DY-PH-The Goats of St. Moritz-127 x 262 cm (image size) | 165 x 300 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_335_the_goats_of_st_moritz_132x231_d637eb2e-1e1a-4a33-b4b0-4fc4525503d0.jpg?v=1780584493"},{"product_id":"david-yarrow-the-no-name-saloon","title":"The No Name Saloon","description":"The No Name Saloon\u003cbr\u003e Park City, Utah, USA – 2023\u003cbr\u003e\u003cbr\u003e We know North American ski resorts well; we are fortunate enough to be represented by galleries in Aspen, Vail, Beaver Creek, Telluride, Jackson, Whistler and Big Sky and we enjoy our evenings when in town. Each town has its own unique strengths which is why they are so celebrated and we find it difficult to choose a favourite. They are all world class resorts and we see ourselves as extremely blessed to be able to compare one to the other.\u003cbr\u003e\u003cbr\u003e However, we are emphatically clear about one thing, and that is what we consider to be the best bar throughout the great American ski resorts. Before we give you our answer, it is perhaps worth considering what, in our eyes, constitutes a great bar.\u003cbr\u003e\u003cbr\u003e To qualify as a contender, we believe that a bar should, for starters, be busy throughout the week. Mondays at 4pm are a better time to judge than Saturdays at 8pm. There should be a depth and substance to its structure and the walls and ceilings should be adorned with a unique collection of Americana nonsense that lends it character. There must be an authenticity that immediately notifies the incoming patron that all is not normal here.\u003cbr\u003e\u003cbr\u003e Most importantly, the clientele should be a compelling cocktail of beauty, danger and vice. Men with disposable moral fibre should intermingle with ladies who hold the room and catch the eye. It is perfectly acceptable for some of those ladies to also have disposable moral fibre. The bar should have a vibe that is strong enough to secure lifelong loyalty as well as bigger nights than intended. The bar is a vortex of pleasure and a celebration of life.\u003cbr\u003e\u003cbr\u003e That bar is The No Name Saloon in Park City, Utah.","brand":"David Yarrow","offers":[{"title":"94 x 155 cm (image size) | 132 x 193 cm (framed size)","offer_id":43923405766743,"sku":"DY-PH-The No Name Saloon-94 x 155 cm (image size) | 132 x 193 cm (framed size)-AR-SI-N\/A","price":15900.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 236 cm (image size) | 180 x 274 cm (framed size)","offer_id":43923405799511,"sku":"DY-PH-The No Name Saloon-142 x 236 cm (image size) | 180 x 274 cm (framed size)-AR-SI-N\/A","price":19080.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_404_the_no_name_saloon_132x193_c782ef15-d4e0-4387-8083-0d3c1f48d75b.jpg?v=1780584638"},{"product_id":"david-yarrow-the-white-turf-switzerland","title":"The White Turf, Switzerland","description":"The White Turf, Switzerland\u003cbr\u003eSt Moritz, Switzerland – 2023 \u003cbr\u003e\u003cbr\u003e I sense that this photograph will mean much more to those who live and holiday in St Moritz than it will to outsiders and that was always my preconception.\u003cbr\u003e\u003cbr\u003eThe White Turf horse races on the frozen lake below Badrutt’s Palace Hotel draw large crowds when they are held on three consecutive weekends every February. It is a spectacle and an occasion more than it is a blue riband international sporting event, but the community embraces it to the full. The lake is busy in February, it also hosts car races, polo and even cricket matches and Badrutt’s watches imperiously above it all.\u003cbr\u003e\u003cbr\u003e My idea was to bring a horse and jockey into the famous bar at Badrutt’s and I sensed that the hotel management - led by the Gm, Richard Leuenberger - would be open minded to this. It is one of the peculiarities of St Moritz that despite its wealth and excessive glamour, there is not a stuffiness to the town. Instead, there is a sense of heritage and a keenness to celebrate that heritage. Horses and jockeys are part of that and Richard - who was a wonderful partner throughout this project - agreed to the idea.\u003cbr\u003e\u003cbr\u003e There are few hotel bars in the world that have the history and the lure of the Renaissance Bar at Badrutt’s. There are no real rules at the bar, smoking is permitted and there is no closing time. My team was quietly setting up one morning at dawn and I wondered where the noise was coming from. I should have thought harder - the bar was still open.\u003cbr\u003e\u003cbr\u003e Richard was keen that some of the legendary figures among the Badrutt’s 800 strong staff were part of the picture and I wholly agreed. Tenure of service is another distinguishing feature of this institution; I guess it must be difficult to leave.\u003cbr\u003e\u003cbr\u003e I do hope that the hotel can find a place for this image, but I am up against an impressive art collection.","brand":"David Yarrow","offers":[{"title":"94 x 147 cm (image size) | 132 x 185 cm (framed size)","offer_id":43923431063639,"sku":"DY-PH-The White Turf, Switzerland-94 x 147 cm (image size) | 132 x 185 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 224 cm (image size) | 180 x 262 cm (framed size)","offer_id":43923431096407,"sku":"DY-PH-The White Turf, Switzerland-142 x 224 cm (image size) | 180 x 262 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_332_white_turf_132x185_20copy.jpg?v=1780584749"},{"product_id":"david-yarrow-watergate","title":"Watergate","description":"Watergate\u003cbr\u003e Virginia City, Montana - 2023\u003cbr\u003e\u003cbr\u003e We know this bar well and know that in the middle of the day there is enough window light to work with. In our experience that is most unusual for an inside shoot, especially when we need to freeze a moving animal. That is why we keep returning to the Pioneer Bar high in the mountain of Montana, it is quite simply the best saloon bar we know in the whole of the Us.\u003cbr\u003e\u003cbr\u003e We mix things up in our storytelling at the Pioneer and some ideas work and some don’t. This one is, however, gold dust. My fellow Brit Charlie March did a grand job as the rakish cowboy at the bar; he holds court in a manner that suggests he is there everyday and doesn’t really care too much about what is going on in the outside world. As long as he could have a smoke and a whisky, Nixon could do whatever he wanted. Watergate was not going to impinge on his day.\u003cbr\u003e\u003cbr\u003e Life also goes on as normal elsewhere in the bar, the barman pours a beer whilst cowboys fight. My story was that this is a town cut off from current affairs and all the better for it. The wonderful reality is the fact that Virginia City is exactly like that. They really don’t care what happens in Washington so long as it doesn’t affect them. The folk up here probably couldn’t spell woke and they certainly don’t know what it means.","brand":"David Yarrow","offers":[{"title":"94 x 173 cm (image size) | 132 x 211 cm (framed size)","offer_id":43923431555159,"sku":"DY-PH-Watergate-94 x 173 cm (image size) | 132 x 211 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"140 x 257 cm (image size) | 178 x 295 cm (framed size)","offer_id":43923431587927,"sku":"DY-PH-Watergate-140 x 257 cm (image size) | 178 x 295 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_315_watergate_132x211_8cf6669f-6232-4c2d-80d9-217f7ff07636.jpg?v=1780584789"},{"product_id":"david-yarrow-dancing-on-ice","title":"Dancing on Ice","description":"Dancing on Ice\u003cbr\u003e St. Moritz, Switzerland – 2024\u003cbr\u003e\u003cbr\u003e The lake below the celebrated and historic Swiss community of St Moritz has been hosting sports events for 150 years; sailing in the summer months and, of course, all sorts of activities on the ice in the winter, the most spectacular and famous of which, is the White Turf racing festival held over three consecutive Sundays in February.\u003cbr\u003e\u003cbr\u003e I have been to St Moritz during this period several times over the years and the photograph I have had in mind to celebrate these fairy-tale races has never been possible because the weather hasn’t played ball. I wanted to visually glorify the amphitheatre as much as the racing itself and this required fresh snow. After a thaw, any winter town can look unexceptional, whereas after a snowfall it can look like a Disney movie or a winter wonderland from the pages of a story book.\u003cbr\u003e\u003cbr\u003e St Moritz is a sunny place and the sun facing slopes of the town and the surrounding trees can get a little messy and green after just one day of sun. From the far side of the lake, all the iconic grand hotels such as Badrutt’s Palace and the Kulm Hotel stand out, in all their glory along with the church spire and the famous old mountain railway. There can surely be no more glamorous a backdrop for a horse racetrack in the world, so long as there is fresh snow.\u003cbr\u003e\u003cbr\u003e But my needs were even more demanding than fresh snow. There had to be not just recent snow, but no falling snow, and then, if possible, I did not want the sun to be out, as, by the time the races started at 11.30am, the winter sunshine would make everything too stark. I struggle to tell a story in harsh light, as the aggressive tonal range can detract from what the artist wants to say. But I also wanted depth, so that there were layers in the photograph from the horses up front to the cable car high in the mountains in the background. To do this needed light, but just flat winter light.\u003cbr\u003e\u003cbr\u003e I woke that Sunday morning in town in February 2024 and saw my chance.  It was still snowing, but the forecast was for it to stop by 11 am.  The odds were always so low - one could wait many years to get these conditions on one of the three Sundays in February.  But on 11 February 2024, it was all there for me and I took my chance. It’s fair to say that I have been thinking about my camera settings for many years on this shot.\u003cbr\u003e\u003cbr\u003e The photograph would not have been possible without the collaboration of Dennis Schiergen, who has been at the helm of the White Turf - either as a jockey or now as its lead official - for many years. He loves the image and that makes me happy. I guess it is visually arresting, but all I was doing was photographing what was in front of my camera; I was not doing anything special. It was my view of St Moritz that was exceptional.\u003cbr\u003e\u003cbr\u003e Anyone that knows St Moritz well can look at this image for a long time and tell their own stories of misadventures somewhere in the frame. We are all storytellers and I think this photograph will elicit many a tale of winters past.","brand":"David Yarrow","offers":[{"title":"61 x 198 cm (image size) | 100 x 236 cm (framed size)","offer_id":43923446628439,"sku":"DY-PH-Dancing on Ice-61 x 198 cm (image size) | 100 x 236 cm (framed size)-AR-SI-N\/A","price":29680.0,"currency_code":"CHF","in_stock":true},{"title":"79 x 262 cm (image size) | 117 x 300 cm (framed size)","offer_id":43923446661207,"sku":"DY-PH-Dancing on Ice-79 x 262 cm (image size) | 117 x 300 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_421_Dancing_on_Ice_100x236_20copy.jpg?v=1780585106"},{"product_id":"david-yarrow-diego","title":"Diego","description":"Diego\u003cbr\u003eAtrani, Italy – 2024\u003cbr\u003e\u003cbr\u003eIn retrospect, I owe Diego Maradona a great deal; without him, I would not have had the provenance of a career starting all the way back to that extraordinary World Cup in Mexico in 1986 which he owned, both metaphorically and literally. I got lucky on the day of the final and the photograph of him, arms aloft with the trophy, remains one of the most important of my life.\u003cbr\u003e\u003cbr\u003eBut Neapolitans had gotten even luckier when their debt-ridden club bought Diego Maradona from Barcelona in the summer of 1984. It was an enormous financial gamble for a club teetering on insolvency and history now looks back fondly on the courage of the owner Corrado Ferlaino. \u003cbr\u003e\u003cbr\u003eIt is impossible to overstate the importance of Maradona to the city - no sportsman has ever offered such level of redemption and hope to an otherwise disadvantaged community and when Maradona’s Napoli won the Italian title in 1987, his legacy was secure.  To this day, many Neapolitans have two paintings above their bed - Jesus Christ and Maradona.  It was an intoxicating love affair between man and city masterfully articulated in the Asif Kapadia 2019 documentary “Maradona”, which briefly features my photograph from 1986.\u003cbr\u003e\u003cbr\u003eFor a generation now, the giant murals of Maradona, dotted around Naples and the neighbouring towns, have become tourist destinations in themselves. They are part of the aesthetic fabric of this most magical and raw part of Europe. Diego was so much more than just a sportsman; he was a modern-day saviour in this god-fearing and deeply spiritual place.\u003cbr\u003e\u003cbr\u003eMy idea was to use a Maradona mural as a background layer in a celebration of life in the wider Naples area. The styling and props were necessarily skewed towards the time when Maradona still played for Napoli, and I sensed the need for a busy street narrative. I wanted to evoke a very definite sense of place. There is nowhere quite like it in the world.","brand":"David Yarrow","offers":[{"title":"94 x 165 cm (image size) | 132 x 203 cm (framed size)","offer_id":43923446792279,"sku":"DY-PH-Diego-94 x 165 cm (image size) | 132 x 203 cm (framed size)-AR-SI-N\/A","price":29680.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 249 cm (image size) | 180 x 287 cm (framed size)","offer_id":43923446825047,"sku":"DY-PH-Diego-142 x 249 cm (image size) | 180 x 287 cm (framed size)-AR-SI-N\/A","price":33920.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_450_diego_132x203_2ab34cb2-0214-4704-95b6-112a8b0ad940.jpg?v=1780585131"},{"product_id":"david-yarrow-dune-colour","title":"Dune (Colour)","description":"Dune (Colour)\u003cbr\u003eNamibia, Africa - 2024\u003cbr\u003e\u003cbr\u003eNamibia is the cheetah capital of the world. Since 1990, smart conservation efforts have resulted in the population in the country growing from 1500 to 2500 – that’s one third of the planet’s total. We have long worked with the acclaimed cheetah conservationists Rudi and Marlice van Vuuren who founded the Naankuse Sanctuary nearly 20 years ago and they partnered with us on this project in the Kanaan Desert.\u003cbr\u003e\u003cbr\u003eThis photograph in the dunes of the Namibian desert, was taken in September 2024. I first photographed in this desert over 14 years ago and I hope I have learned a great deal since then. All the layers in this image: the textural sand, the central characters, the desert mountains and the clouds coalesce as one. \u003cbr\u003e\u003cbr\u003eMy camera metadata tells me that it was taken long before most people are out of bed and yet we are a long way from the nearest building.  But no one in the crew had a problem with that. There is a visual overload from these dunes at sunrise to match any location on the planet.\u003cbr\u003e\u003cbr\u003eShanina Shaik looks sensational and elevates a photograph of a cheetah in the desert into something a little more special. I felt that it was vital that we could see both her eyes and that dictated my camera position in the dunes and her body angle. The moment came and it was just a glimpse, but that is all you need. She is smart as well as beautiful.\u003cbr\u003e\u003cbr\u003eI like the cinematic proportions of this photograph - it helps to tell the story.","brand":"David Yarrow","offers":[{"title":"86 x 191 cm (image size) | 124 x 229 cm (framed size)","offer_id":43923448922199,"sku":"DY-PH-Dune (Colour)-86 x 191 cm (image size) | 124 x 229 cm (framed size)-AR-SI-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true},{"title":"117 x 262 cm (image size) | 155 x 300 cm (framed size)","offer_id":43923448954967,"sku":"DY-PH-Dune (Colour)-117 x 262 cm (image size) | 155 x 300 cm (framed size)-AR-SI-N\/A","price":44520.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_459_dune_colour_81x196_ba7075da-58a6-4a30-b702-652b44cb5d40.jpg?v=1780585185"},{"product_id":"david-yarrow-la-dolce-vita","title":"La Dolce Vita","description":"La Dolce Vita\u003cbr\u003e Positano, Italy - 2024\u003cbr\u003e\u003cbr\u003ePositano - the poster child of Italy’s Amalfi Coast - is best viewed from the sea. It is only from the water that its spectacular cliff hanging location is visually showcased and there is a palpable and most necessary sense of place.\u003cbr\u003e\u003cbr\u003eThis is the Italy that is loved across the world: for the pleasures and indulgences; its effortless style and its traditional values. We live in a beautiful world and the Amalfi coast reminds us of the need to retain that state of mind as firmly as any coastal region on the planet. It has a unique and visceral allure that can run very deep into the sensibilities of travellers and locals alike. The coastal communities can cast a spell and visitors extend stays, whilst locals seemingly never leave.  There is generational continuity down here from fishermen to taxi drivers. It is difficult to conceive of a book being written about strong local communities across the world and Neapolitans being excluded.\u003cbr\u003e\u003cbr\u003eWhen I was scouting in the bay off Positano in the spring, I was struck by the beauty of the light just before sunset. The view looking west to town is always intoxicating, but when the sun disappears behind the mountains, it darkens quickly and a new mood descends on the community. House lights come on and, rather like mobile phones at a Coldplay concert, their random formations add a new layer to the canvas.\u003cbr\u003e\u003cbr\u003eMy research suggested that there was a 15-minute window in the evening when there was just enough light to shoot from the sea, but it was dark enough for the town to be a “sky full of stars”. Shooting from a boat is never easy, but at twilight it is a particularly low percentage practice as the camera is working at the edge of its capabilities. The trick was to shoot over more than one night and wait for a calm ocean. Cameras have also become immeasurably more capable in low light, so the cameraman has more opportunity.\u003cbr\u003e\u003cbr\u003eI recognise that one photograph cannot bottle up and fully embody the sensory overload evoked by Italy, but for those that connect with La Dolce Vita at its most indulgent level, this may not be far off their Italian ideal. It’s a dreamy photograph and that was always the intent.\u003cbr\u003e\u003cbr\u003eI want to thank Kelsey Merritt who took time out of the Paris shows to work with me that day.  She played the role of the quintessential Italian beauty with grace, confidence and intelligence.","brand":"David Yarrow","offers":[{"title":"94 x 132 cm (image size) | 132 x 170 cm (framed size)","offer_id":43923460227159,"sku":"DY-PH-La Dolce Vita-94 x 132 cm (image size) | 132 x 170 cm (framed size)-AR-SI-N\/A","price":34980.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 201 cm (image size) | 180 x 239 cm (framed size)","offer_id":43923460259927,"sku":"DY-PH-La Dolce Vita-142 x 201 cm (image size) | 180 x 239 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_464_la_dolce_vita_180x239_9a80ee1d-3260-416b-96b2-b1600c22d201.jpg?v=1780585607"},{"product_id":"david-yarrow-st-tropez","title":"St Tropez","description":"St Tropez\u003cbr\u003e St Tropez, France – 2024\u003cbr\u003e\u003cbr\u003e Brigitte Bardot enjoyed using her Albatross speedboat in St Tropez and we sensed that if we could source a vintage one, it would be a useful prop for this parody; it played emphatically to the era and the location. We did find one, but it had to come all the way from Goodwood in the Uk.\u003cbr\u003e\u003cbr\u003e The buildings in La Ponche have a weathered timelessness that I knew would serve us well and then I just needed a composition to showcase a sense of place and a sense of a very specific woman. Nadine Leopold has a breezy nonchalance that made her ideal for the role and we both knew the head angles could offer some anonymity. I have worked with Nadine before and she is a delight.\u003cbr\u003e\u003cbr\u003e It is not easy to make someone look like someone else and to do it in a way that is nether cheap nor gratuitous. My leaning was to photograph her out of the boat as that would give us the most scope to build a wider narrative and even include some determined paparazzi on the shore.\u003cbr\u003e\u003cbr\u003e The aluminium structure of the boat’s hull threw off some useful reflections when facing the rising sun and as this detail started to show itself, I adapted my plans and Nadine’s position. It never pays to be too prescriptive.\u003cbr\u003e\u003cbr\u003e The goal was to take a picture with an unambiguous sense of place and sense of a specific era. This is St Tropez - the most idyllic and storied resort in the world and the place that Bardot called home.","brand":"David Yarrow","offers":[{"title":"94 x 145 cm (image size) | 132 x 183 cm (framed size)","offer_id":43923471302743,"sku":"DY-PH-St Tropez-94 x 145 cm (image size) | 132 x 183 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 221 cm (image size) | 180 x 259 cm (framed size)","offer_id":43923471335511,"sku":"DY-PH-St Tropez-142 x 221 cm (image size) | 180 x 259 cm (framed size)-AR-SI-N\/A","price":39220.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_442_st_tropez_132x183_20copy.jpg?v=1780585948"},{"product_id":"david-yarrow-the-big-moose","title":"The Big Moose","description":"The Big Moose\u003cbr\u003e  Jackson Hole, Wyoming, USA – 2024\u003cbr\u003e\u003cbr\u003e    The grandeur of the Tetons has been celebrated by artists for 150 years. It was an integral part of Thomas Moran’s life and, of course, the mountain range played a material role in the photographic journey of Ansel Adams.  His legacy still holds a tight grip on a Jackson Hole community hosting hundreds of capable photographers every week. \u003cbr\u003e\u003cbr\u003e    As an artist, it is a place in which to enjoy the visual overload rather than attempt to break new ground; that would be a fine trick. I have long been an admirer of the photographer Tommy Mangelsen whose body of work is a love letter to this pocket of America. For many years we have shared the same New York Publisher - Rizzoli - and he sets a high bar with his body of authentic images in the Tetons and beyond.\u003cbr\u003e\u003cbr\u003e     I have a good friend in Jackson, who, for many years, has made a living by ploughing snow on private roads in the winter months. It is his business to know every road in the community and in the days before my arrival he scouted the land either side of these single-track roads for big bull moose. They are not that hard to find in the area near Kelly - especially in late November and December - but I needed to be in situ very early in the day.\u003cbr\u003e\u003cbr\u003e    It was never going to be easy to get a Cigar Shot as there needs to be a sense of place in any picture taken here.  Not to include the Tetons in the frame would be akin to filming in Zermatt and not including the Matterhorn. They are on a par as backdrops.\u003cbr\u003e\u003cbr\u003e    To have the Tetons as a canvas requires a high cloud or no cloud and I have always tended to prefer flat light rather than shooting with a harsh sun behind me. But there is a small window after sunrise when the sun finally hits the flats, but not in a garish way. I guess there is about 15 minutes of softness when the camera has every opportunity to capture textural detail and employ meaningful depth of field.\u003cbr\u003e\u003cbr\u003e","brand":"David Yarrow","offers":[{"title":"94 x 112 cm (image size) | 132 x 150 cm (framed size)","offer_id":43923481919575,"sku":"DY-PH-The Big Moose-94 x 112 cm (image size) | 132 x 150 cm (framed size)-AR-SI-N\/A","price":34980.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 168 cm (image size) | 180 x 206 cm (framed size)","offer_id":43923481952343,"sku":"DY-PH-The Big Moose-142 x 168 cm (image size) | 180 x 206 cm (framed size)-AR-SI-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_488_the_big_moose_132X150_fee816dd-46ce-4cf2-bcdf-c0c9f23ab177.jpg?v=1780585991"},{"product_id":"david-yarrow-the-girl-with-the-feathered-hat-colour","title":"The Girl with the Feathered Hat (colour)","description":"The Girl with the Feathered Hat (colour)\u003cbr\u003eMonument Valley, Utah, USA – 2023\u003cbr\u003e\u003cbr\u003e When this 1958 Testarossa arrived on set on the Arizona\/Utah border, I was struck by its curvaceous beauty. Our initial leaning was to shoot head on and we did exactly that, but when I saw the car in profile, its length and ground hugging architecture was visually arresting. I knew that I had to play on this and where better to do this than in Monument Valley - John Ford’s favourite playground? He kept returning here as he knew he had found a topographic stage without equal. In his own words “it afforded him an extra character for free”.\u003cbr\u003e\u003cbr\u003e John Ford was a stickler for horizons and camera angles. Anyone who watched the Fabelmans, specifically the last scene, will know what I am getting at.\u003cbr\u003e\u003cbr\u003e I am a lucky man. To be filming with this car, in this most grand of settings, with the female powerhouse that is Brooks Nader, is like getting the first, second and third at the Kentucky Derby. When I set the shot up, I wanted to glorify the length of the car and the vista behind stirred the alchemy that gave us this celebration of life on earth.\u003cbr\u003e\u003cbr\u003e It is a beautiful world. Ferrari gets it, John Ford got it and I am learning all the time.","brand":"David Yarrow","offers":[{"title":"74 x 196 cm (image size) | 112 x 234 cm (framed size)","offer_id":43923488407639,"sku":"DY-PH-The Girl with the Feathered Hat (colour)-74 x 196 cm (image size) | 112 x 234 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"97 x 262 cm (image size) | 135 x 300 cm (framed size)","offer_id":43923488440407,"sku":"DY-PH-The Girl with the Feathered Hat (colour)-97 x 262 cm (image size) | 135 x 300 cm (framed size)-AR-SI-N\/A","price":33920.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_418_the_girl_with_the_geathered_hat_colour_132x180_44d57c70-33bb-45e7-b126-0fe96960c4a0.jpg?v=1780586048"},{"product_id":"david-yarrow-the-glenturret","title":"The Glenturret","description":"The Glenturret\u003cbr\u003e Crieff, Scotland - 2024\u003cbr\u003e\u003cbr\u003e The whisky industry directly employs 11,000 in Scotland and carries great economic and historical value to the country. Every year, 1 billion bottles of whisky are exported and distilleries with heritage and production capacity have become hot assets in the investment world. Right now, there are 20 million casks of whisky maturing in Scotland: that’s around 4 per living person in the country.\u003cbr\u003e\u003cbr\u003eI was recently given the chance to photograph Scotland’s oldest working distillery - The Glenturret in Perthshire - which dates to 1763.  Located on the banks of the River Turret, it has a picture-perfect charm that eludes many working distilleries in 2024. Furthermore, looking at old museum pictures, not much has changed in the facade and the courtyard over the last 120 years and the new owners were keen to celebrate this constancy. They wanted a love letter to its celebrated past and I totally understood.\u003cbr\u003e\u003cbr\u003eOn our scouting visit up to Glenturret, we were drawn to the timeless nature of the buildings, but equally, there were some signs of modernity and my sense was that the best way to hide them was to work after a snowfall. Despite there being less snow in Scotland now than in the days of my childhood, it still snows occasionally around Crieff.  \u003cbr\u003e\u003cbr\u003e This was a team effort and such is the local pride in the distillery, that attracting locals to work on the shoot was as easy as sampling their products when we were wrapped.","brand":"David Yarrow","offers":[{"title":"94 x 175 cm (image size) | 132 x 213 cm (framed size)","offer_id":43923489882199,"sku":"DY-PH-The Glenturret-94 x 175 cm (image size) | 132 x 213 cm (framed size)-AR-SI-N\/A","price":21200.0,"currency_code":"CHF","in_stock":true},{"title":"132 x 262 cm (image size) | 178 x 300 cm (framed size)","offer_id":43923489914967,"sku":"DY-PH-The Glenturret-132 x 262 cm (image size) | 178 x 300 cm (framed size)-AR-SI-N\/A","price":28620.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_479_the_Glenturret_132x213_7c75338c-8d68-4cc8-80ad-636d7290db31.jpg?v=1780586054"},{"product_id":"david-yarrow-the-last-days-of-summer-colour","title":"The Last Days of Summer (Colour)","description":"The Last Days of Summer (Colour)\u003cbr\u003eCapri, Italy - 2024\u003cbr\u003e\u003cbr\u003eNo island in the world elicits a greater sense of golden idleness and a freewheeling love of the pleasures of life than the Italian island of Capri. As far back as 500 Bc, the Greeks saw it as a rocky paradise of hedonism and much more recently they were followed by the Marquis de Sade and Oscar Wilde. Even if only half the stories of the debauchery in Capri are true, it has been a good host island to those who believe that life is for living.\u003cbr\u003e\u003cbr\u003eThere is a unique beauty to the place and a refined simplicity that seduced Hollywood in the 1950s and Jacqueline Kennedy not long after. I sense that Capri does not have to try too hard, because it doesn’t really need to; everything is there and most of it always will be. There is security in the longevity of tenure.\u003cbr\u003e\u003cbr\u003eThe island’s greatest trick is to offer a sense of belonging to visitors.  Our cousins from across the pond, who come every year in their thousands, call it “little America”.  That’s quite a stretch, but no doubt there is a century long love affair between America and Capri.\u003cbr\u003e\u003cbr\u003eThe island’s iconic rock formation - The Faraglioni - is the geological pantheon of the island and I knew that at some stage this summer I would use its vertical grandeur as a backdrop in my European storytelling. Of course, these sea stacks are over photographed, and I needed a fresh foreground that played to the lore of the island. It takes time to determine the right location to shoot from as so many angles have become a little generic.\u003cbr\u003e\u003cbr\u003eThere is one land location near Marina Piccola where I could take an old Vespa, and this was a shot I hadn’t seen before.  Logistically, it’s not that easy to get access with a bike.  Just after sunrise, the rocks are kissed from behind by gentle sunlight and I knew that if I shot into the rising sun, I could engineer a rather dreamy canvas.\u003cbr\u003e\u003cbr\u003eThe girls played their roles exactly as directed: I wanted both sexual confidence and a sense that their behaviour was not always coming from the highest moral drawer. That would be fitting for an island blessed by an intoxicating sense of fun and freedom.","brand":"David Yarrow","offers":[{"title":"94 x 180 cm (image size) | 132 x 218 cm (framed size)","offer_id":43923491553367,"sku":"DY-PH-The Last Days of Summer (Colour)-94 x 180 cm (image size) | 132 x 218 cm (framed size)-AR-SI-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"137 x 262 cm (image size) | 175 x 300 cm (framed size)","offer_id":43923491586135,"sku":"DY-PH-The Last Days of Summer (Colour)-137 x 262 cm (image size) | 175 x 300 cm (framed size)-AR-SI-N\/A","price":33920.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_453_the_last_days_of_summer_colour_94x180_ede80d5b-1865-4328-9b64-42db837bbb93.jpg?v=1780586070"},{"product_id":"david-yarrow-white-chicks","title":"White Chicks","description":"White Chicks\u003cbr\u003e  Telluride, USA - 2024\u003cbr\u003e\u003cbr\u003e    The main street in Telluride, Colorado holds the attention of anyone with a visual sensibility; it is as good as it gets for a mountain town. There is a final frontier timelessness and then there is the grandest of mountains bossing all that happens below. Not much has changed in the last 100 years and I doubt much will change in the next 100 either.\u003cbr\u003e\u003cbr\u003e    My idea in this parody of the movie with same name, was not to disrupt the almost perfect symmetry of the view looking east. Indeed, with the right styling and the right talent, I could enforce that sense of balance in all layers of the image; the street allows for that opportunity.\u003cbr\u003e\u003cbr\u003e    The use of space is core to storytelling with a camera, but so often we do fall short, for one reason or another, in maximising the potential. That makes photographs like this more rewarding. The lines and the composition work.\u003cbr\u003e\u003cbr\u003e    There are so many people to thank for helping that cold Sunday morning in Telluride: the town and its mayor; the snow handlers and indeed the whole crew. But I want to specially thank the Josie and Holly and their respective teams who did a first-class job. 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To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. In 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is the Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%. Goldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Epoque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century.\u003cbr\u003e\u003cbr\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000- foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003cbr\u003e\u003cbr\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. I am sure Wes Anderson would have done the same and it did make all the difference.\u003cbr\u003e\u003cbr\u003eIf there was ever to be a Bond Hotel - I think it should be here.","brand":"David Yarrow","offers":[{"title":"94 x 170 cm (image size) | 132 x 208 cm (framed size)","offer_id":43923582517335,"sku":"DY-PH-Hotel Bond (Colour)-94 x 170 cm (image size) | 132 x 208 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":43923582550103,"sku":"DY-PH-Hotel Bond (Colour)-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":39220.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_558_hotel_bond_colour_132x208_7698fff9-b0d3-4210-85f0-892c1f66f911.jpg?v=1780586833"},{"product_id":"david-yarrow-the-black-panther-club","title":"The Black Panther Club","description":"The Black Panther Club\u003cbr\u003eDionkeng, South Africa – 2025\u003cbr\u003e\u003cbrthe making of this photograph has been on my mind since i saw the promotional material that accompanied nat geo black panther film release posters leant composite art not a and whilst they were very true to facial structure it is easy achieve highest granularity in face with paint brush. nevertheless pr campaign certainly grabbed attention negative space adding sense menace.\u003e\u003cbr\u003eWe set about building a structure in a black panther’s 4-acre sanctuary in Dinokeng, South Africa and brought in a heavy-duty cage for me to work from and then it was simply an exercise in patience as well as the unique talents of Kevin Richardson - The Lion Whisperer. Our 12-year friendship has forged exceptional trust and we both know how to get the best out of each other. There is no way we could have taken this image a few years back - we have learned and iterated. Panthers are dangerous and safety and creativity had to find a balance.  At all times I was working from the cage.\u003cbr\u003e\u003cbr\u003eThe key to me in this one off portrait is the position of the pupils in the panther’s eyes. They equate to less than 1\/400th of the total photograph but they elicit a proper sense of menace. A bit lower down in the eye and his menace is lost. It is about the smallest of details and today’s cameras, in low light, are high performing enablers.\u003cbr\u003e\u003cbr\u003eI think the cinematic format is perfect for this photograph. After all, the term Black Panther elicits heavy Hollywood vibes. 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For a while after, you fumble for words, trying vainly to assemble a private narrative, an explanation, a comfortable way to frame where you've been and what’s happened. In the end, you're just happy you were there - with your eyes open - and lived to see it.”\u003cbr\u003e\u003cbr\u003eIn 1840, the Hotel Bellevue des Alpes opened its doors for business in the fabled Kleine Scheidegg pass in Switzerland. Sitting proudly at nearly 7,000 feet, with the notorious Eiger mountain towering above it, this grand old hotel has, for 185 years, offered unparalleled bedroom visuals. Its decor and design have an Agatha Christie vibe and its location a James Bond one. Anyone with a visual sensibility recognises immediately that there is nothing remotely normal about this place. Its existence is testimony to Swiss ambition and engineering prowess eight or nine generations ago.\u003cbr\u003e\u003cbr\u003eI had pondered and iterated for some months as to how to do justice to the location. There were a few easy decisions such as filming in the winter and to position my camera far enough back from the right-hand wing of the hotel to give the structure room to breathe and, in so doing, convey a necessary sense of isolation and scale. I knew that the end frame demanded perfect compositional balance.\u003cbr\u003e\u003cbr\u003eBut delivering a legitimate foreground narrative was more challenging. The north Face of the Eiger has claimed 64 lives since 1937 and is something of a “Holy Grail” for mountaineers who get a rush from the implicit risk and danger. The setting draws in risk takers and thrill seekers and that was ultimately the angle I focused on. \u003cbr\u003e\u003cbr\u003eI sensed that an old European roulette table would not only play on risk taking well, but it would also double down on the James Bond vibe that the setting evokes. I wanted to reinforce the message that is not only a hotel where guests have literally and metaphorically lived on the edge, but also a destination that attracts those who live fast paced and glamorous lives.\u003cbr\u003e\u003cbr\u003eThe missing link in this layered story were the protagonists and I knew that they would be critical to the whole piece. If they fell short, the picture would fail. It was that simple. David Gandy is a bankable asset in any picture, that is why he has been the face of Dolce and Gabbana for so many years and, for a still camera, there is a very creditable 007 look. Meanwhile, our old Austrian friend Nadine Leopold - with her femininity, grace and intelligence - adds to any story. \u003cbr\u003e\u003cbr\u003eMy sense was always that this vignette needed to be taken as close to twilight as possible; the sense of impending darkness would add drama and certainly complement the styling.","brand":"David Yarrow","offers":[{"title":"130 x 94 cm (image size) | 168 x 132 cm (framed size)","offer_id":43923593003095,"sku":"DY-PH-The Eiger-130 x 94 cm (image size) | 168 x 132 cm (framed size)-AR-SI-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true},{"title":"193 x 142 cm (image size) | 231 x 180 cm (framed size)","offer_id":43923593035863,"sku":"DY-PH-The Eiger-193 x 142 cm (image size) | 231 x 180 cm (framed size)-AR-SI-N\/A","price":39220.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_525_the_eiger_168x132_5a878646-c78e-4e86-b6dc-73fe4a0897ba.jpg?v=1780587294"},{"product_id":"david-yarrow-bad-asses-ii","title":"Bad Asses II","description":"Bad Asses II\u003cbr\u003eNamibia - 2024\u003cbr\u003e\u003cbr\u003eThis photograph has been in my head for many years. We have taken our fair share of bad ass pictures of girls in cars in America, but I always wanted to extend my reach to Africa and introduce a Mad Max type narrative. Rather than working in the mountains with snow, as we often do, it was time to work in the desert with sand.\u003cbr\u003e\u003cbr\u003eI knew my girl for the shot - Cara Delevingne - and I knew that the hugely respected Naankuse Sanctuary in Namibia often work their cheetahs with film crews, and then I also knew the Kanaan desert well. But I needed a central prop to hold the whole idea together. I needed something of substance.\u003cbr\u003e\u003cbr\u003eI had long deliberated over building a bar marooned in the middle of the desert. Not just a two-dimensional facade of a bar, but an actual functioning bar, with lights, cooling machines and entertainment.\u003cbr\u003e\u003cbr\u003eI confess that there was quite a bit of talking to myself about the risk reward ratio and I became all to mindful of Walt Disney’s famous advice of “stop talking and start doing”.  I like to have creative courage and be bold.    \u003cbr\u003e\u003cbr\u003eSo, I threw my fears away and we built our bar in the desert. It is so damn good that we are going to keep it there for tourists to visit and perhaps have a cold Namibian lager. It was not a small building job and six lorries full of wood and corrugated iron made the eight-hour trip south from Windhoek. I have never worked with a more willing bunch of people in my life than the Namibian production team and they had earned the right to be very proud of The Desert Inn.\u003cbr\u003e\u003cbr\u003eIn a tableau photograph like this, I want to be greedy and broaden the story: the barman and the bushman on the far right are the little details that help.  Cara looks sensational and, of course, that split second pose from the cheetah makes the photograph what it is. \u003cbr\u003e\u003cbr\u003eIt is a bad ass shot for sure and it is also a bad ass bar.","brand":"David Yarrow","offers":[{"title":"94 x 198 cm (image size) | 132 x 236 cm (framed size)","offer_id":43923620823127,"sku":"DY-PH-Bad Asses II-94 x 198 cm (image size) | 132 x 236 cm (framed size)-AR-SI-N\/A","price":50880.0,"currency_code":"CHF","in_stock":true},{"title":"125 x 262 cm (image size) | 163 x 300 cm (framed size)","offer_id":43923620855895,"sku":"DY-PH-Bad Asses II-125 x 262 cm (image size) | 163 x 300 cm (framed size)-AR-SI-N\/A","price":58300.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_597_bad_asses_ii_colour_132x236_af94ed3b-34d8-45d4-bfe3-ce1869718898.jpg?v=1780588438"},{"product_id":"david-yarrow-the-bills-colour","title":"The Bills (Colour)","description":"The Bills (Colour)\u003cbr\u003eThe Flying D Ranch, Montana – 2021\u003cbr\u003e\u003cbr\u003eThe concept of this photograph has been on my wish list for many years. A group of male bison charging through heavy snow, directly towards a camera is certainly a rare sight and it always seemed a bridge too far from almost every perspective. The question has always been where and how could this epic scene unfold in front of a camera?\u003cbr\u003e\u003cbr\u003eYellowstone National Park was never going to be the answer.  This sort of collective behaviour does not tend to happen in the park and if it did, there would be zero chance of being in the right place at the right time to film it. It is difficult to break new ground in Yellowstone.\u003cbr\u003e\u003cbr\u003eIn 2020 an American artist, John Banovich, an exceptional talent and good friend, suggested that I approach Ted Turner to see if I could gain access to his stunning 180 square mile ranch - Flying D - saddling Yellowstone and neighbouring Big Sky. This remarkable place is nine times the size of Manhattan and showcases Montana at its most stunning best.\u003cbr\u003e\u003cbr\u003eJohn’s wonderful painting of a group of running bison adorns the wall of the main reception of the exclusive Yellowstone Club and he took his inspiration from spending time at Ted Turner’s ranch.  I recognised that this was a link worth pursuing. Flatteringly, a few months after my initial approach, the Turner team agreed to collaborate in the hope that we could raise money for Ted’s conservation initiatives.\u003cbr\u003e\u003cbr\u003eTed Turner is one of America’s biggest landowners and also one of its most acclaimed conservationists and he reintroduced both bison and wolves into Flying D, one of his three Montana ranches. In mid-winter, his team of ranchers will herd some of the 5,000-resident bison into areas where feeding is easier and this controlled activity creates an opportunity to work a situation.  Just like cowboys herding their cattle in Texas, the skill sets of the Turner ranchers in deep snow are a privilege to watch.\u003cbr\u003e\u003cbr\u003eThe difficulty is that bison in this vast ranch are more skittish of humans on foot than their Yellowstone cousins, who see thousands of tourists every day.   I therefore needed either to be camouflaged or out of sight as they made haste in my direction. Luckily the Flying D team knew of a group of rocks behind which I would be obscured from the bison’s line of sight.\u003cbr\u003e\u003cbr\u003eAfter many a failure, and some adjustments to the approach, one gorgeous winter morning in February, we achieved what we set out to do. It was a real team effort and I want to thank John Banovich and the whole Turner Corporation team at the Flying D.","brand":"David Yarrow","offers":[{"title":"64 x 170 cm (image size) | 102 x 208 cm (framed size)","offer_id":43923621216343,"sku":"DY-PH-The Bills (Colour)-64 x 170 cm (image size) | 102 x 208 cm (framed size)-AR-SI-N\/A","price":63600.0,"currency_code":"CHF","in_stock":true},{"title":"94 x 254 cm (image size) | 132 x 292 cm (framed size)","offer_id":43923621249111,"sku":"DY-PH-The Bills (Colour)-94 x 254 cm (image size) | 132 x 292 cm (framed size)-AR-SI-N\/A","price":71020.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_603_the_bills_colour_102x208_b9d8a66a-0417-42f1-b342-245afb4ca32a.jpg?v=1780588543"},{"product_id":"david-yarrow-road-rage","title":"Road Rage","description":"Road Rage\u003cbr\u003eYellowstone National Park – 2026\u003cbr\u003e\u003cbr\u003eYellowstone is the only place in the United States where bison have lived continuously since prehistoric times. By 1902, poachers had reduced Yellowstone’s herd to about two dozen animals but the recent estimates suggest this has grown to around 5,000-5,400.  It is America's largest and oldest wild, free-roaming herd.\u003cbr\u003e\u003cbr\u003eWe only film bison in Yellowstone in the depths of winter. There are two reasons for this: one of course is that the traffic is bearable in the winter and we are very often on our own and out of the park by 10 am; the second more important factor is that the presence of snow plays to the animal’s fortitude. I would not film the Amalfi coast in the winter, as it is a summer holiday destination, and in the same way I have no interest in filming in Yellowstone in July.\u003cbr\u003e\u003cbr\u003eI tend to focus on the male bison which can weigh up to 2,000 pounds and stand 6 feet tall. From the right angle, their enormous heads and curved horns elicit imagery of mythological beasts; they are part cow and part fantasy. The bison are a revered part of the tapestry of Americana.\u003cbr\u003e\u003cbr\u003eThis immersive photograph was shot on a remote camera with a wide-angle lens on the road between West Yellowstone and Madison Junction. It’s an iterative process and I often fail simply because I am not in charge of the bison’s movement. But a pattern can develop and then we must be patient.\u003cbr\u003e\u003cbr\u003eYellowstone is very accessible these days and there are many photographers up there every day. 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