{"title":"Inventory ZH Gallery Exhibition","description":null,"products":[{"product_id":"david-yarrow-the-mob","title":"The Mob","description":"The Mob\u003cbr\u003e \nAmboseli – 2019 \u003cbr\u003e\u003cbr\u003e\n\nTo find two of the world’s remaining 20 big tusker elephants side by side was a huge privilege and I felt a responsibility to get it right. Tim and Craig are colossal mammals and dominated a formidable front line of big bulls that morning in Amboseli. To be so close to two of the biggest elephants in the world and photographing from the ground up was as intense a 30 seconds in the field as I can remember.  I was fortunate with the soft light and the background - both of which were out of my control. We were packed up and celebrating back at camp by 8.30 am.\u003cbr\u003e\u003cbr\u003e\n\nThis is probably my lead shot of 2019 and I am deeply grateful to my guide - Juma Wanyama - without which it would not have been possible. Not only does he facilitate my partnership with the street smart Masai spotters whom I asked to search for Tim and Craig at first light, he has also helped develop my working relationship with the Kenyan Wildlife Service (Kws) who oversee and support my work in Amboseli. It is not on paper, but I believe that the considerable sums we give back to conservation in Africa (over $1m a year) helps our cause with the Kws.\u003cbr\u003e\u003cbr\u003e\n\nHowever, Juma’s key skill is his understanding of the mood of both Tim and Craig and their willingness to tolerate my presence in their space. He worked wonders to allow this epic encounter to materialise.  I have total trust in Juma and I think he also knows, after eight years of working together, that I am responsible when out of the jeep. One cavalier move could be fatal.","brand":"David Yarrow","offers":[{"title":"94 x 168 cm (image size) | 132 x 205 cm (framed size)","offer_id":44101978030167,"sku":"DY-PH-The Mob-94 x 168 cm (image size) | 132 x 205 cm (framed size)-AR-SI-N\/A","price":60500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":44101978062935,"sku":"DY-PH-The Mob-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":71500.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_099_the_mob_132x205_01b3f93f-2d3a-4550-8612-9e824f0c27f1.jpg?v=1785865750"},{"product_id":"david-yarrow-mars-attacks","title":"Mars Attacks!","description":"Mars Attacks!\u003cbr\u003e Sea of Cortez – 2021\u003cbr\u003e\u003cbr\u003e Every year in the early summer, thousands of mobula rays congregate in the Sea of Cortez off the coast of La Paz in Mexico. On calm days at sea, a spectacular courting ritual unfolds during which the rays show off by jumping several metres out of the sea. It is one of the most surreal sights to witness anywhere in the world. In the ocean, mobula rays look as one would expect, but when flying through the air, they look like aliens or spaceships. They are quite literally a fish out of water. I have no preconception as to what a “Mars Attack” might look like, but this is hopefully the closest I will get to it.\u003cbr\u003e\u003cbr\u003e There are a few dilemmas on this location for the filmmaker. Firstly, the action often takes place 90 minutes from port and the light and the activity are at their best in the hour before sunset. We also discovered that the wind picks up after the sun sets. Secondly, I wanted to be as low as possible and this ruled out hiring larger more comfortable boats.\u003cbr\u003e\u003cbr\u003e There was no way we would sacrifice content, so we had no choice but to spend a few dark evenings returning home in quite rough seas in a small fishing boat. But that was still the right trade. There are no shortcuts in this gig.\u003cbr\u003e\u003cbr\u003e I took a great deal of frames over the week, but it is such a low percentage assignment that just three or four did justice to the spectacle. It requires quick reactions and - as always - good fortune. Much depends on the alertness and manoeuvering skills of the captain of the boat. I was fortunate to work in La Paz with my fellow Londoner - Luke Inman - who now lives in the city and knows the sea and sealife there as well as anyone. He hired the boat captain - Tony Ruelas - and this picture is as much his as it is mine.\u003cbr\u003e\u003cbr\u003e What a planet we live on.","brand":"David Yarrow","offers":[{"title":"94 x 137 cm (image size) | 132 x 175 cm (framed size)","offer_id":44101981864023,"sku":"DY-PH-Mars Attacks!-94 x 137 cm (image size) | 132 x 175 cm (framed size)-AR-SI-N\/A","price":27500.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 208 cm (image size) | 180 x 246 cm (framed size)","offer_id":44101981896791,"sku":"DY-PH-Mars Attacks!-142 x 208 cm (image size) | 180 x 246 cm (framed size)-AR-SI-N\/A","price":35200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_219_mars_attacks_132x175_a370be1e-3ad3-4701-8a9a-5d53f174fbc5.jpg?v=1785865896"},{"product_id":"david-yarrow-testarossa","title":"Testarossa","description":"Testarossa\u003cbr\u003e Monument Valley, Utah, USA – 2023\u003cbr\u003e\u003cbr\u003e We have worked with some expensive props over the years and as our creative visions become more expansive and ambitious, there will no doubt be some surreal days ahead in the field.\u003cbr\u003e\u003cbr\u003e However, it may be a long time before we can beat the thrill of taking a 1953 Testarossa to the most iconic stretch of the American Highway system - Forest Gump Point in Monument Valley.\u003cbr\u003e\u003cbr\u003e There are so many people to thank for making the image I had in my head come to reality. Firstly we must thank the Navajo Nation and their elder Don Mose - who looked after us so well and entertained the crew to dinner. We were honoured to be their guests.\u003cbr\u003e\u003cbr\u003e Brooks Nader is a great friend of the crew and always performs, irrespective of the cold or the long hours on the road. We like good energy and Brooks offers it at a level that is almost indecent.\u003cbr\u003e\u003cbr\u003e Most of all, however, I would like to thank Joe Lacob for lending me his $60m car as a prop. Joe came down from San Francisco for the shoot with his wife Nicole and they had a blast. To be fair, it was difficult not to. We wish Joe and his Golden State Warriors continued success.","brand":"David Yarrow","offers":[{"title":"94 x 109 cm (image size) | 132 x 148 cm (framed size)","offer_id":44101998182487,"sku":"DY-PH-Testarossa-94 x 109 cm (image size) | 132 x 148 cm (framed size)-AR-SI-N\/A","price":44000.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 165 cm (image size) | 180 x 203 cm (framed size)","offer_id":44101998215255,"sku":"DY-PH-Testarossa-142 x 165 cm (image size) | 180 x 203 cm (framed size)-AR-SI-N\/A","price":51700.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_400_testarossa_132x148_01bbb297-d70f-4c4f-b1d7-353ecd934440.jpg?v=1785866407"},{"product_id":"david-yarrow-waterworld","title":"Waterworld","description":"Waterworld\u003cbr\u003e Dinokeng, South Africa – 2023\u003cbr\u003e\u003cbr\u003e I want my animal portraits to glorify through proximity. It is that proximity that offers the texture and aesthetic strength and allows a close image to transcend one taken from a more sensible distance. At the margin, it makes all the difference to be close and not magnify too much.\u003cbr\u003e\u003cbr\u003e The riddle of proximity is one with answers, it just requires experience and collaboration. I was protected from this lion by the strongest of steel cages, so whilst there was a gap for the camera, there was nothing like the necessary gap for a lion’s head.\u003cbr\u003e\u003cbr\u003e These set ups should never be tried in normal situations as so many things can go wrong and this occasion was only enabled by the skills of Kevin Richardson -The Lion Whisperer. Without Kevin, there is no chance of a picture and every chance of some degree of danger.\u003cbr\u003e\u003cbr\u003e I am not sure if this picture could have been taken 10 years ago for two reasons. Firstly, my relationship with Kevin was nascent and we now trust each other implicitly. Pictures like this require mutual trust. Secondly, cameras now have so much more capability than 10 years ago and we continue to leverage this to the full. 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If he was right, and he surely was, then the deserts of Namibia in Africa lend you at least a couple more.\u003cbr\u003e\u003cbr\u003eThe problem is that filming in the Namibian Desert is logistically a little more challenging than Arizona. The population density is 10 people per square mile - a tenth of America and in the desert, there is a palpable sense of solitude.  Outside of the capital Windhoek the infrastructure is rather basic and to film ambitious projects demands resolve and a passion for adventure. \u003cbr\u003e\u003cbr\u003eNamibia is, however, the cheetah capital of the world. Since 1990, smart conservation efforts have resulted in the population in the country growing from 1500 to 2500 - that’s one third of the planet’s total. We have long worked with the acclaimed cheetah conservationists Rudi and Marlice van Vuuren who founded the Naankuse Wildlife Sanctuary nearly 20 years ago and they partnered with us on this project in the Kanaan Desert.\u003cbr\u003e\u003cbr\u003eI had this picture in my head since Covid days but I was only able to capture it in September 2024 - good things take time. Sunrise is a dangerous time to film; there are so many traps to fall into and the optimum light is ephemeral. \u003cbr\u003e\u003cbr\u003eShooting towards the sun, which would be my default position, becomes challenging if the photograph like this is contextual as I don’t like to have the sun itself in an image; it can be a little gaudy in colour and look extremely odd in black and white.  To avoid the cliches and the tonal tension points, I prefer to film before the sun appears and this desert offers a chance as there are mountains for it to overcome. From my elevated position high in the sand dunes, the sun only arrives on stage a good 30 minutes after daylight.\u003cbr\u003e\u003cbr\u003eThere is a sense of timeless eternity to this photograph. I look at it and smile - what a wonderful planet we rent. Huge credit to Shanina Shaik, she was brilliant to work with, and cared not one bit about the 3 am wake up calls. I guess it’s not a bad place for a morning walk with a big cat.","brand":"David Yarrow","offers":[{"title":"81 x 196 cm (image size) | 119 x 234 cm (framed size)","offer_id":44102003425367,"sku":"DY-PH-Eternity (Colour)-81 x 196 cm (image size) | 119 x 234 cm (framed size)-AR-SI-N\/A","price":38500.0,"currency_code":"CHF","in_stock":true},{"title":"107 x 261 cm (image size) | 145 x 300 cm (framed size)","offer_id":44102003458135,"sku":"DY-PH-Eternity (Colour)-107 x 261 cm (image size) | 145 x 300 cm (framed size)-AR-SI-N\/A","price":46200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_461_eternity_colour_124x229_b2e41fc7-f31e-4e82-ba9b-98cff4fcebee.jpg?v=1785866608"},{"product_id":"david-yarrow-the-girl-with-the-feathered-hat-colour","title":"The Girl with the Feathered Hat (colour)","description":"The Girl with the Feathered Hat (colour)\u003cbr\u003eMonument Valley, Utah, USA – 2023\u003cbr\u003e\u003cbr\u003e When this 1958 Testarossa arrived on set on the Arizona\/Utah border, I was struck by its curvaceous beauty. Our initial leaning was to shoot head on and we did exactly that, but when I saw the car in profile, its length and ground hugging architecture was visually arresting. I knew that I had to play on this and where better to do this than in Monument Valley - John Ford’s favourite playground? He kept returning here as he knew he had found a topographic stage without equal. In his own words “it afforded him an extra character for free”.\u003cbr\u003e\u003cbr\u003e John Ford was a stickler for horizons and camera angles. Anyone who watched the Fabelmans, specifically the last scene, will know what I am getting at.\u003cbr\u003e\u003cbr\u003e I am a lucky man. To be filming with this car, in this most grand of settings, with the female powerhouse that is Brooks Nader, is like getting the first, second and third at the Kentucky Derby. When I set the shot up, I wanted to glorify the length of the car and the vista behind stirred the alchemy that gave us this celebration of life on earth.\u003cbr\u003e\u003cbr\u003e It is a beautiful world. Ferrari gets it, John Ford got it and I am learning all the time.","brand":"David Yarrow","offers":[{"title":"74 x 196 cm (image size) | 112 x 234 cm (framed size)","offer_id":44102007193687,"sku":"DY-PH-The Girl with the Feathered Hat (colour)-74 x 196 cm (image size) | 112 x 234 cm (framed size)-AR-SI-N\/A","price":27500.0,"currency_code":"CHF","in_stock":true},{"title":"97 x 262 cm (image size) | 135 x 300 cm (framed size)","offer_id":44102007226455,"sku":"DY-PH-The Girl with the Feathered Hat (colour)-97 x 262 cm (image size) | 135 x 300 cm (framed size)-AR-SI-N\/A","price":35200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_418_the_girl_with_the_geathered_hat_colour_132x180_be4669e5-2570-430e-b02f-f62b73a977a6.jpg?v=1785866725"},{"product_id":"david-yarrow-hotel-bond","title":"Hotel Bond","description":"Hotel Bond\u003cbr\u003eFurka Pass, Switzerland – 2025\u003cbr\u003e\u003cbr\u003eNo film franchise has enhanced the fame of specific locations more than Bond. To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. In 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is the Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%. Goldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Epoque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century.\u003cbr\u003e\u003cbr\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000- foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003cbr\u003e\u003cbr\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. I am sure Wes Anderson would have done the same and it did make all the difference.\u003cbr\u003e\u003cbr\u003eIf there was ever to be a Bond Hotel - I think it should be here.","brand":"David Yarrow","offers":[{"title":"94 x 170 cm (image size) | 132 x 208 cm (framed size)","offer_id":44102012698711,"sku":"DY-PH-Hotel Bond-94 x 170 cm (image size) | 132 x 208 cm (framed size)-AR-SI-N\/A","price":33000.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":44102012731479,"sku":"DY-PH-Hotel Bond-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":40700.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_557_hotel_bond_132x208x147.jpg?v=1785866875"},{"product_id":"david-yarrow-the-black-panther-club","title":"The Black Panther Club","description":"The Black Panther Club\u003cbr\u003eDionkeng, South Africa – 2025\u003cbr\u003e\u003cbrthe making of this photograph has been on my mind since i saw the promotional material that accompanied nat geo black panther film release posters leant composite art not a and whilst they were very true to facial structure it is easy achieve highest granularity in face with paint brush. nevertheless pr campaign certainly grabbed attention negative space adding sense menace.\u003e\u003cbr\u003eWe set about building a structure in a black panther’s 4-acre sanctuary in Dinokeng, South Africa and brought in a heavy-duty cage for me to work from and then it was simply an exercise in patience as well as the unique talents of Kevin Richardson - The Lion Whisperer. Our 12-year friendship has forged exceptional trust and we both know how to get the best out of each other. There is no way we could have taken this image a few years back - we have learned and iterated. Panthers are dangerous and safety and creativity had to find a balance.  At all times I was working from the cage.\u003cbr\u003e\u003cbr\u003eThe key to me in this one off portrait is the position of the pupils in the panther’s eyes. They equate to less than 1\/400th of the total photograph but they elicit a proper sense of menace. A bit lower down in the eye and his menace is lost. It is about the smallest of details and today’s cameras, in low light, are high performing enablers.\u003cbr\u003e\u003cbr\u003eI think the cinematic format is perfect for this photograph. After all, the term Black Panther elicits heavy Hollywood vibes. 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We have taken our fair share of bad ass pictures of girls in cars in America, but I always wanted to extend my reach to Africa and introduce a Mad Max type narrative. Rather than working in the mountains with snow, as we often do, it was time to work in the desert with sand.\u003cbr\u003e\u003cbr\u003eI knew my girl for the shot - Cara Delevingne - and I knew that the hugely respected Naankuse Sanctuary in Namibia often work their cheetahs with film crews, and then I also knew the Kanaan desert well. But I needed a central prop to hold the whole idea together. I needed something of substance.\u003cbr\u003e\u003cbr\u003eI had long deliberated over building a bar marooned in the middle of the desert. Not just a two-dimensional facade of a bar, but an actual functioning bar, with lights, cooling machines and entertainment.\u003cbr\u003e\u003cbr\u003eI confess that there was quite a bit of talking to myself about the risk reward ratio and I became all to mindful of Walt Disney’s famous advice of “stop talking and start doing”.  I like to have creative courage and be bold.    \u003cbr\u003e\u003cbr\u003eSo, I threw my fears away and we built our bar in the desert. It is so damn good that we are going to keep it there for tourists to visit and perhaps have a cold Namibian lager. It was not a small building job and six lorries full of wood and corrugated iron made the eight-hour trip south from Windhoek. I have never worked with a more willing bunch of people in my life than the Namibian production team and they had earned the right to be very proud of The Desert Inn.\u003cbr\u003e\u003cbr\u003eIn a tableau photograph like this, I want to be greedy and broaden the story: the barman and the bushman on the far right are the little details that help.  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