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But having fulfilled this desire, I have been disappointed in the reality because invariably the lure of tourism has necessitated some immediately obvious modernity in the architecture. There are, however, a few villages from the gold rush in America that remain as they were left and after exhaustive field work, I found the best final frontier ghost settlement imaginable. I cannot reveal the destination for obvious reasons, but I persuaded the local government to open up the fenced off historic site for me.\u003cbr\u003e\u003cbr\u003e\n\nIt was a treasure trove of artifacts from 100 years ago – and best of all, there was a railway station and an abandoned carriage. Inside the carriage there was a surreal canvas on which to tell a story – snow on the rotten seats, broken windows and a central corridor strewn with the remnants of decades of decay.\u003cbr\u003e\u003cbr\u003e\n\nOn my first reconnaissance to the site, I saw the possibility of telling a story, but in a dreamy creative moment I thought I might need a wolf and some brave girls. It took some time to get all the logistics in place and I then needed the support of some talented and adventurous locals. We needed to shoot early for the light to be right and for the temperature to drop well below freezing – the wolf’s breath makes such a difference to the story within the picture and would not have been possible after the light and temperature had risen.\u003cbr\u003e\u003cbr\u003e\n\nI am proud of this shot largely as it is difficult to know how it could be bettered. It is a reward for homework and logistical precision, but it is also testament to the animal handling skills of two people that were in the carriage that the lens could not see. This image will never, ever, be recreated.","brand":"David Yarrow","offers":[{"title":"94 x 157 cm (image size) | 132 x 196 cm (framed size)","offer_id":43972650467415,"sku":"DY-PH-Ride The Ghost Train-94 x 157 cm (image size) | 132 x 196 cm (framed size)-AR-SI-N\/A","price":17280.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 239 cm (image size) | 180 x 277 cm (framed size)","offer_id":43972650500183,"sku":"DY-PH-Ride The Ghost Train-142 x 239 cm (image size) | 180 x 277 cm (framed size)-AR-SI-N\/A","price":21600.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_006_ride_the_ghost_train_132x196_59f1f8c5-6604-48ce-a971-dd1f4de41977.jpg?v=1782037561"},{"product_id":"david-yarrow-cara-cigar","title":"Cara Cigar","description":"Cara Cigar\u003cbr\u003e\nDinokeng, South Africa - 2017\u003cbr\u003e\u003cbr\u003e\n\nWhen a known photographer leaves this world, there is never the time or the space to remember too much of his or her work. There tend to be just 3 or 4 iconic images that transcend the overall body of work, that will always be remembered. It is these 3 or 4 shots that define a career.\u003cbr\u003e\u003cbr\u003e\n\nI am not sure where my career will take me and I am not sure whether I have taken an iconic image yet - I will let others decide. But I do know that this photograph, which has been unveiled today as part of the Tag Heuer Don't Crack under Pressure campaign is probably the most powerful shot that I have ever taken. Yes, it was a commercial shoot with one of the world’s most famous women, but I think it goes beyond that and the image will be coveted by collectors. It grabs the eye and then holds it in a vice-like grip. Everything about the work is viscerally powerful.\u003cbr\u003e\u003cbr\u003e\n\nI look back on that day with great emotion and there are so many people to thank. None more so than the British icon that is Cara Delevingne She is - of course - stunning, but she is also authentic and intelligent and couples this with admirable work ethic. Furthermore, on this day, she was incredibly brave and fittingly did not “crack under pressure”. This image is not manipulated - there were 5 yards between her and the lion. At no stage did she show tension or anxiety and that made my job so much easier.\u003cbr\u003e\u003cbr\u003e\n\nI think a key to the image was the reasonably powerful directional late afternoon sunlight, as the shadows on both Cara and the lion are so consistent that the authenticity of the image cannot be questioned. In the morning, the light was flatter and therefore the lion and Cara were not as visually linked as they are here.\u003cbr\u003e\u003cbr\u003e \n\nThis campaign would not have been possible without the help of Kevin Richardson in South Africa and I thank him for the awareness he brings to the plight of the lion in Africa. We know each other so well and that day in December in South Africa was the culmination of a trust that has built up over 5 years of working with each other.\u003cbr\u003e\u003cbr\u003e\n\nFinally, I would like to thank Jean-Claude Biver - the genius behind Tag Heuer for backing me to get this shot and Valerie Grande at Tag for always wearing a smile and being a delight to work with.","brand":"David Yarrow","offers":[{"title":"102 x 94 cm (image size) | 140 x 132 cm (framed size)","offer_id":43972653973591,"sku":"DY-PH-Cara Cigar-102 x 94 cm (image size) | 140 x 132 cm (framed size)-AR-SI-N\/A","price":64800.0,"currency_code":"CHF","in_stock":true},{"title":"152 x 142 cm (image size) | 191 x 180 cm (framed size)","offer_id":43972654006359,"sku":"DY-PH-Cara Cigar-152 x 142 cm (image size) | 191 x 180 cm (framed size)-AR-SI-N\/A","price":108000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_029_cara_cigar_114x109_ebe102ee-cff1-46aa-8bdd-c7ff2765363b.jpg?v=1782038149"},{"product_id":"david-yarrow-good-morning-siberia","title":"Good Morning Siberia","description":"Good Morning Siberia\u003cbr\u003e\nChina, 2018\u003cbr\u003e\u003cbr\u003e\nWhen we released this powerful image on social media, we were asked what sort of lens magnification was used. Many camera enthusiasts thought that given the dangerous subject matter, it must have been a 400m telephoto lens or more, but this sort of distance compression would have taken the power away from the portrait. This photograph was actually taken with a 105m lens and the benefits are immediately clear. We were that close.\u003cbr\u003e\u003cbr\u003e\nIf a fashion photographer is working with a top model, it is most unlikely that he or she will even carry a telephoto lens to the assignment as the best distance to work from is anything from close to very close. Ideally it should be no different with a predator – but clearly there are issues with proximity, which is why I often use remote controls.\u003cbr\u003e\u003cbr\u003e\nIn this conservation area, there is no chance of using a remote as it is absolutely forbidden to step foot on the ground for patently obvious reasons. The only possibility therefore is to shoot from my caged vehicle with our camera window about 4 feet off the ground. This means that good shooting locations would be very limited, as I never really want to be above the eye of an animal – that angle of view immediately kills a sense of a real encounter. The lower the camera, the more immersive the image.\u003cbr\u003e\u003cbr\u003e\nIn our reconnaissance there was just one small hill that the vehicle could get close to in the deep snow – the topography in this part of north east China can be extremely flat and we just had to hope that the tiger would work his way to our vantage point. Vehicles cannot get stuck here, as that then poses a logistical problem, so it was all quite a riddle. It was complicated further by the fact that the light also becomes too stark by about 10 am in the winter – we were asking for a great deal to come right. The clock ticks on a cold, clear Siberian morning in January.\u003cbr\u003e\u003cbr\u003e\nIt did, however, happen and the bonus was that the tiger was enormous – maybe 750 pounds and I was working from just 5 feet away. 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From a budget of $8 million, the box office receipts topped $125 million, and rightly so.\u003cbr\u003e\u003cbr\u003e\nThe main challenge in making the documentary was the weather, with temperatures between -58 and -76 degrees Fahrenheit (-50 and -60 degrees Celsius). At dawn, the film crew would spend half an hour putting on\nsix layers of clothes, and on some days they could not spend more than three hours outside. They also worked in winds with gusts up to 125 miles per hour. But the result was an astonishing achievement and the most immersive insight into the extreme yearly life of emperor penguins. Jacquet and his team deserve every accolade they received.\u003cbr\u003e\u003cbr\u003e\nIn comparison, my work in South Georgia with king penguins was a complete walk in the park. There was absolutely nothing heroic about the trip at all and, if anything, the weather was a little too springlike to offer the kind of visceral imagery I was seeking.\u003cbr\u003e\u003cbr\u003e\nPenguins do march very much like\na military regiment, and I hoped that one day my team and I would be treated to some miserable conditions in South Georgia, as snowfall can add character to an image and endorse a sense of place. We got our day, and luckily this king penguin group obliged with this vignette. The lead guy certainly has a Napoleon look about him, and the topography of the beach added to the composition and offered some depth to the narrative.","brand":"David Yarrow","offers":[{"title":"84 x 165 cm (image size) | 122 x 203 cm (framed size)","offer_id":43972654825559,"sku":"DY-PH-Napoleon-84 x 165 cm (image size) | 122 x 203 cm (framed size)-AR-SI-N\/A","price":12960.0,"currency_code":"CHF","in_stock":true},{"title":"127 x 251 cm (image size) | 165 x 290 cm (framed size)","offer_id":43972654858327,"sku":"DY-PH-Napoleon-127 x 251 cm (image size) | 165 x 290 cm (framed size)-AR-SI-N\/A","price":20520.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_046_napoleon_122x203_f42262d1-de68-4e5f-b7f8-bc292c491189.jpg?v=1782038412"},{"product_id":"david-yarrow-amarillo-by-morning","title":"Amarillo by Morning","description":"Amarillo by Morning\u003cbr\u003e\nTexas, USA – 2020\u003cbr\u003e\u003cbr\u003e \n\nWagons evoke childhood memories of watching John Wayne Westerns on the Bbc on cold winter evenings. No mode of transport is more emblematic of the great push West and the attendant dangers. For a storyteller of life on the final frontier, props don’t get any better, but finding an authentic one and taking it to the pre-researched location in the wilderness of West Texas is a challenge and an expense.\u003cbr\u003e\u003cbr\u003e\n\nAnyhow, those issues overcome, the biggest problem with photographing a wagon on the move is that it does not suit my style of photography which would tend to be to shoot towards the oncoming wagon. This is simply because the horses’ heads will be at least 10 feet in front of the people driving the wagon. One or other would be in focus, but never both. To have the foreground subject out of focus is a tension point in any photograph and to have the human characters out of focus would seem fairly suboptimal. I wrestled with this the night before the shot and finally it dawned on me what to do.\u003cbr\u003e\u003cbr\u003e\n\nI think it works and I have always wanted to have a picture with this title. 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The Welsh Privateer, whom the rum brand is named after, was, by all accounts, a menace in the West Indies in the 17th century, raiding many Spanish settlements under the authority of the British flag and then taking the bounty himself. His life was romanticised after his death and he became the inspiration for pirate-themed works of fiction across a range of genres.\u003cbr\u003e\u003cbr\u003eHis apparent lack of ethics nearly 400 years ago has done Captain Morgan’s owners Diageo no harm, with the brand selling over $500m a year in America alone.  Rum brings out the pirate in all of us and Disney made full use of that with the catch phrase of their Pirates of the Caribbean franchise being “But why is the rum gone?”\u003cbr\u003e\u003cbr\u003eI wanted to film pirate characters in as authentic a beach bar as I could find. The game of naming one’s favourite beach bar is played worldwide and will always be a deeply personal choice, as with “Death Row meal” or “fishing cabin guests”. In the Uk, there are fewer pirates and it’s a world removed from the Caribbean, but my personal favourite bars by the sea are the Applecross Inn in Strathcarron, Scotland and the Sloop Inn near my home in Thurlestone, Devon. Both have a rustic charm and attract clientele smelling of the sea, but Captain Morgan types are rare.\u003cbr\u003e\u003cbr\u003eMuch further afield, it is worth the trip alone, to visit the renowned beach bar and restaurant Parador La Huella in Jose Ignacio, Uruguay, to see beach entertainment done properly. It is effortlessly magical and has rightly earned its place in beach bar history. I was in Buenos Aires with a friend not too long ago and I said we had to go there for lunch.  He did not thank me when, after six hours, we were still an hour away, but when we arrived he was forever thankful. It is that good.\u003cbr\u003e\u003cbr\u003eBut for this shoot, we were necessarily in the Caribbean and much of the beach side offerings I know are modular, stiff and banal. I wanted raw authenticity and a hint of historically bad behaviour, a place where upon arrival you hope that the walls - or what’s left of them - can talk.\u003cbr\u003e\u003cbr\u003eBankie Banx’s Dune Preserve in Anguilla is that bar. It is the sole reason some people come to Anguilla and yet it is hopelessly uncommercial. At times the bar becomes an ‘“Honesty Bar”.  Part of its charm is that almost everyone that works there is high.\u003cbr\u003e\u003cbr\u003eSo, the Dune was where we shot - there was no Plan B. I hope all those that see this photograph rather wish they were there that night. What could possibly go wrong with that crew? I think everyone did a great job and of course Bankie Banx steals the show.  He does not play supporting actor well anywhere, let alone in his own joint.","brand":"David Yarrow","offers":[{"title":"94 x 170 cm (image size) | 132 x 208 cm (framed size)","offer_id":43972672454743,"sku":"DY-PH-But why is the rum gone-94 x 170 cm (image size) | 132 x 208 cm (framed size)-AR-SI-N\/A","price":37800.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":43972672487511,"sku":"DY-PH-But why is the rum gone-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":16200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_246_but_why_is_the_rum_gone_132x200_a3e019b4-b804-4b76-80f1-01ea9b0513ac.jpg?v=1782043002"},{"product_id":"david-yarrow-empty-pockets-saloon","title":"Empty Pockets Saloon","description":"Empty Pockets Saloon\u003cbr\u003eArizona, USA – 2020\u003cbr\u003e\u003cbr\u003eWhat a great name for a dive bar saddling a stretch of Route 66 in Arizona. As soon as I was shown the facade, I kNew there was a photograph to be had; especially at night when we could make full use of the neon lights in the windows.\u003cbr\u003e\u003cbr\u003eThe name of the saloon gave me as much scope as I needed in the narrative - the winners were clearly the ones leaving, not the patrons inside.\u003cbr\u003e\u003cbr\u003eThere was just enough light to freeze the passengers, but never enough to freeze the money - but that kind of worked for me.","brand":"David Yarrow","offers":[{"title":"89 x 173 cm (image size) | 127 x 211 cm (framed size)","offer_id":43972672979031,"sku":"DY-PH-Empty Pockets Saloon-89 x 173 cm (image size) | 127 x 211 cm (framed size)-AR-SI-N\/A","price":21600.0,"currency_code":"CHF","in_stock":true},{"title":"132 x 259 cm (image size) | 170 x 297 cm (framed size)","offer_id":43972673011799,"sku":"DY-PH-Empty Pockets Saloon-132 x 259 cm (image size) | 170 x 297 cm (framed size)-AR-SI-N\/A","price":27000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_297_the_empty_pockets_saloon_127x211_dd2978cd-f7de-43d1-8105-9586b48a9de7.jpg?v=1782043111"},{"product_id":"david-yarrow-fully-engaged","title":"Fully engaged","description":"Fully Engaged\u003cbr\u003e  South Africa - 2022\u003cbr\u003e\u003cbr\u003e    Over the years, I have marginally tweaked my approach to filming lions at Kevin Richardson’s sanctuary in South Africa. Lying flat in my cage in the grasses, I now accept that in their winter, at first light, I am going to get dirty and cold. I want to shoot 20 degrees either side of the rising sun to get some backlight without too much flair. The key variable for me, however, is for there to be a real sense of engagement and that does mean that we need to work close and put full faith in both Kevin and the sturdiness of his cages.\u003cbr\u003e\u003cbr\u003e    Immersive photography of big cats is not a high percentage game, and we accept that we fail more often than we succeed. The upside is, when everything does work, especially with a handsome male lion like Yame, the rewards are high.\u003cbr\u003e\u003cbr\u003e  I would be the first to say that in photographs such as this, the credits go to Kevin, the lion and the high- performance camera. I come in equal fourth with the laundry service.","brand":"David Yarrow","offers":[{"title":"94 x 132 cm (image size) | 132 x 170 cm (framed size)","offer_id":43972673110103,"sku":"DY-PH-Fully engaged-94 x 132 cm (image size) | 132 x 170 cm (framed size)-AR-SI-N\/A","price":27000.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 201 cm (image size) | 180 x 239 cm (framed size)","offer_id":43972673142871,"sku":"DY-PH-Fully engaged-142 x 201 cm (image size) | 180 x 239 cm (framed size)-AR-SI-N\/A","price":34560.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_292_fully_engaged_132X170_08691073-9155-4711-a8f4-4f1a89c5b4af.jpg?v=1782043154"},{"product_id":"david-yarrow-breaking-bad","title":"Breaking Bad","description":"Breaking Bad\u003cbr\u003e Joshua Tree, California – 2023\u003cbr\u003e\u003cbr\u003e It has taken many years to capture a photograph strong enough to be worthy of the name Breaking Bad. Some have come close and we do regularly work with people who dance on the edge of permitted behaviour, but we held out looking for the perfect picture. Breaking Bad was an epic, game changing series and anything that borrows the name must be visually appropriate as well as eye grabbing and powerful.\u003cbr\u003e\u003cbr\u003e I had long sensed that the concept of filming with Cindy Crawford in a Californian Biker Bar had potential, especially if the bikers had a palpable sense of menace and trouble. I knew that she could more than hold her own in playing bad ass and therefore there could be unity across the ensemble, irrespective of the apparent rogue member. I need a collective, not six or seven individuals.\u003cbr\u003e\u003cbr\u003e The interior of Joshua Tree Saloon in the town of the same name, offered a great canvas on which to paint this story and as always there was a jeweller’s eye attention to detail. I required as much information in one frame as possible and this demanded that I use width rather than height.\u003cbr\u003e\u003cbr\u003e When I saw the result, I sensed I had my Breaking Bad shot. There is nothing I would change in it and I think Bryan Cranston et al would feel rather at home in the saloon.  There seems little appetite for cultural refinement or mundane conversation.\u003cbr\u003e\u003cbr\u003e Cindy excels at this kind of work and it is always a privilege to work with her. She absolutely smashed the role I asked her to play that day and now we have the long sought after picture.","brand":"David Yarrow","offers":[{"title":"81 x 175 cm (image size) | 145 x 213 cm (framed size)","offer_id":43972679237719,"sku":"DY-PH-Breaking Bad-81 x 175 cm (image size) | 145 x 213 cm (framed size)-AR-SI-N\/A","price":35640.0,"currency_code":"CHF","in_stock":true},{"title":"122 x 262 cm (image size) | 160 x 300 cm (framed size)","offer_id":43972679270487,"sku":"DY-PH-Breaking Bad-122 x 262 cm (image size) | 160 x 300 cm (framed size)-AR-SI-N\/A","price":43200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_387_breaking_bad_145x213_3ccf44f4-056f-4eb8-b54e-e5f14b969aa1.jpg?v=1782044392"},{"product_id":"david-yarrow-cresta-st-moritz-switzerland","title":"Cresta, St. Moritz, Switzerland","description":"Cresta, St. Moritz, Switzerland\u003cbr\u003eSt Moritz, Switzerland - 2023\u003cbr\u003e\u003cbr\u003e What makes the Cresta Club in St Moritz unique is not the racetrack , or the setting, but its members. I knew from the moment that I undertook this project, that a single photograph would fail if I didn't convey, not a sense of place, or the sport itself, but a sense of “Club”.\u003cbr\u003e\u003cbr\u003e The Cresta Club, officially known as the St Moritz Tobogganing Club, has been in existence since 1887 and remains one of St Moritz’s most exclusive institutions - and there are quite a few. It has a very British stamp to it and there is a sense of being at an old boys reunion at Harrow, but it welcomes all nations and all characters. For what could be a rather stuffy golf club culture, it is defined by its lack of stuffiness.  It is a Club where people have fun and refuse to grow up and surely that should always be applauded.\u003cbr\u003e\u003cbr\u003e My dilemma was how to take a picture that was authentic, fun and told a story of its members. I needed the track and a rider, but I also needed the faces in the crowd. For safety reasons these subjects tend to be mutually exclusive.\u003cbr\u003e\u003cbr\u003e The solution was for me to positioned just down the track from the start and roped in like a mountaineer so that I didn't travel down the course on my backside with my cameras. I knew already how treacherous it is as I slipped in my early morning reconnaissance and lost a tooth. The Cresta Run is 3\/4s of a mile of downhill sheet ice; start falling down the tunnel and you have a long way to go until you stop.\u003cbr\u003e\u003cbr\u003e The Club was entertained by my planned position and graciously roped me in.  I doubt a camera had ever had this angle before - well certainly not with a rider as glamorous as Frida Aasen on the skeleton. The members behind her were doing what they do best - enjoying the day.","brand":"David Yarrow","offers":[{"title":"94 x 152 cm (image size) | 132 x 191 cm (framed size)","offer_id":43972679827543,"sku":"DY-PH-Cresta, St. Moritz, Switzerland-94 x 152 cm (image size) | 132 x 191 cm (framed size)-AR-SI-N\/A","price":21600.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 229 cm (image size) | 180 x 267 cm (framed size)","offer_id":43972679860311,"sku":"DY-PH-Cresta, St. Moritz, Switzerland-142 x 229 cm (image size) | 180 x 267 cm (framed size)-AR-SI-N\/A","price":27000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_329_cresta_132x191_cedd39d3-0e4a-4e7f-bad1-4f079161cc82.jpg?v=1782044526"},{"product_id":"david-yarrow-dracula-st-moritz-switzerland","title":"Dracula, St. Moritz, Switzerland","description":"Dracula, St. Moritz, Switzerland\u003cbr\u003eSt Moritz, Switzerland - 2023\u003cbr\u003e\u003cbr\u003e There is a strong collective who would vote Dracula Club in St Moritz as the best night club in the world. If they are out voted, they will ascribe the loss to demographics and ignorance and will hold out on their conviction to their dying day.  I think I may be one of those unflinching disciples and I have been to a few night clubs in my life. I am not a member, but I have the context to admit that there are truly no places quite like it. The famed devotees of St Moritz may just be right.\u003cbr\u003e\u003cbr\u003e The cavernous and yet cohesive chalet is a microcosm of St Moritz, a town known from the outside for its prosperity and glamour, but from the inside for its frivolity and loose governance. If there is a decadence in town, it is dwarfed by the lightness of touch. Dracula is Chitty Chitty Bang Bang meeting Studio 54 and when I see 85-year-olds dancing energetically and in time with their grandson’s girlfriend and no one batting an eyelid, I know I have found an antidote to oppressive woke culture.\u003cbr\u003e\u003cbr\u003e It was Gunter Sachs who put St Moritz on the party map. When he moved there with his wife Brigitte Bardot, he wanted to have his own club and so Dracula was born. On his passing, the club’s governance passed to his son Rolf - a man of great charm, formidable intellect and creative sensibility. It was Rolf who gave me permission to bring a film crew into this most exclusive of clubs and I was determined to reward his faith - there would be no second chance. Dracula doesn’t do film crews.\u003cbr\u003e\u003cbr\u003e When I am asked about the vibe in St Moritz, many are looking for the negative angles that come from observing privilege and excess. 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The camera should dive into the pages of a Polar explorer storybook for 95% of the image and then dive into the pages of Vogue for our lead - Brooks Nader.\u003cbr\u003e\u003cbr\u003e Brooks recently appeared on the front cover of the 2023 Sports Illustrated Swimsuit edition and I knew that she was perfect for this role. Her default position is to have fun and get into character which makes her easy to direct and the camera loves her. It was a long way for her to come for a one-day shoot, but she approaches every job with sensibility and gusto.\u003cbr\u003e\u003cbr\u003e To juxtapose a Sports Illustrated Swimwear model next to some frosty and unrefined explorers from bygone days is a risk conceptually if there is no wider context. In these ideas, there is every chance the result can be a bit one dimensional and gratuitous. I am paranoid of the mundane which means we tend to give these ideas a great deal of thought. In this case, the structural background was helpful and I think the fire and the falling snow were necessary extras to give the story a broader narrative.\u003cbr\u003e\u003cbr\u003e We tend to work almost always in monochrome, but we do think that this photograph works well in colour as well because of the limited colour range and the sense of warmth offered from the fire and its glow.\u003cbr\u003e\u003cbr\u003e","brand":"David Yarrow","offers":[{"title":"94 x 168 cm (image size) | 132 x 206 cm (framed size)","offer_id":43972680908887,"sku":"DY-PH-Ice, Ice Baby (colour)-94 x 168 cm (image size) | 132 x 206 cm (framed size)-AR-SI-N\/A","price":24840.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 251 cm (image size) | 180 x 290 cm (framed size)","offer_id":43972680941655,"sku":"DY-PH-Ice, Ice Baby (colour)-142 x 251 cm (image size) | 180 x 290 cm (framed size)-AR-SI-N\/A","price":32400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_691_ice_ice_baby_colour_132x206_e7d35257-857d-46ff-ac22-c31c2457f896.jpg?v=1782044855"},{"product_id":"david-yarrow-st-moritz-switzerland","title":"St. Moritz, Switzerland","description":"St. Moritz, Switzerland\u003cbr\u003eSt Moritz, Switzerland – 2023\u003cbr\u003e\u003cbr\u003e I photographed luge and bobsleigh in the Calgary Olympics way back in 1988, so spending some time with the St Moritz Tobogganing Club, or the Cresta Club as it is more commonly known, was not all new territory. But my goal was very different this time around; this was an art project, not sports photography.\u003cbr\u003e\u003cbr\u003e St Moritz is fabled for its glamour, its authenticity, its frivolity and its thrill chasing. It is a Peter Pan playground that remembers that life is for living. No part of the fabric of this community embraces these values more than the Cresta Run.\u003cbr\u003e\u003cbr\u003e I want to thank the Smtc Committee for agreeing to work with me and I hope the photographs I took that sunny morning in February 2023 will stand the test of time.  It was certainly a great deal of fun.  I don’t think many have had the access and opportunity I had that day.\u003cbr\u003e\u003cbr\u003e The real star of the show was leading Norwegian model Frida Aasen, who dazzled in her red styling. Her look and posture were pivotal to the image working.  After all, in staged photographs like this, there is no room for error. This is St Moritz and getting it 80% right is not good enough, it must be 100%. Frida is one of the easiest models I know to shoot - the camera loves her.\u003cbr\u003e\u003cbr\u003e I don’t take myself too seriously and I certainly don't want to be earnest.  I want to have fun and tell stories. Little surprise that we enjoyed ourselves that day at this exclusive institution with its charming members.  There is a humour and lightness of touch that is refreshing in today’s world.","brand":"David Yarrow","offers":[{"title":"94 x 122 cm (image size) | 132 x 160 cm (framed size)","offer_id":43972683464791,"sku":"DY-PH-St. Moritz, Switzerland-94 x 122 cm (image size) | 132 x 160 cm (framed size)-AR-SI-N\/A","price":27000.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 183 cm (image size) | 180 x 221 cm (framed size)","offer_id":43972683497559,"sku":"DY-PH-St. Moritz, Switzerland-142 x 183 cm (image size) | 180 x 221 cm (framed size)-AR-SI-N\/A","price":32400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_328_st_moritz_132x168_5cceb304-b30b-4d0a-8f69-880ab809f115.jpg?v=1782045474"},{"product_id":"david-yarrow-dancing-on-ice","title":"Dancing on Ice","description":"Dancing on Ice\u003cbr\u003e St. Moritz, Switzerland – 2024\u003cbr\u003e\u003cbr\u003e The lake below the celebrated and historic Swiss community of St Moritz has been hosting sports events for 150 years; sailing in the summer months and, of course, all sorts of activities on the ice in the winter, the most spectacular and famous of which, is the White Turf racing festival held over three consecutive Sundays in February.\u003cbr\u003e\u003cbr\u003e I have been to St Moritz during this period several times over the years and the photograph I have had in mind to celebrate these fairy-tale races has never been possible because the weather hasn’t played ball. I wanted to visually glorify the amphitheatre as much as the racing itself and this required fresh snow. After a thaw, any winter town can look unexceptional, whereas after a snowfall it can look like a Disney movie or a winter wonderland from the pages of a story book.\u003cbr\u003e\u003cbr\u003e St Moritz is a sunny place and the sun facing slopes of the town and the surrounding trees can get a little messy and green after just one day of sun. From the far side of the lake, all the iconic grand hotels such as Badrutt’s Palace and the Kulm Hotel stand out, in all their glory along with the church spire and the famous old mountain railway. There can surely be no more glamorous a backdrop for a horse racetrack in the world, so long as there is fresh snow.\u003cbr\u003e\u003cbr\u003e But my needs were even more demanding than fresh snow. There had to be not just recent snow, but no falling snow, and then, if possible, I did not want the sun to be out, as, by the time the races started at 11.30am, the winter sunshine would make everything too stark. I struggle to tell a story in harsh light, as the aggressive tonal range can detract from what the artist wants to say. But I also wanted depth, so that there were layers in the photograph from the horses up front to the cable car high in the mountains in the background. To do this needed light, but just flat winter light.\u003cbr\u003e\u003cbr\u003e I woke that Sunday morning in town in February 2024 and saw my chance.  It was still snowing, but the forecast was for it to stop by 11 am.  The odds were always so low - one could wait many years to get these conditions on one of the three Sundays in February.  But on 11 February 2024, it was all there for me and I took my chance. It’s fair to say that I have been thinking about my camera settings for many years on this shot.\u003cbr\u003e\u003cbr\u003e The photograph would not have been possible without the collaboration of Dennis Schiergen, who has been at the helm of the White Turf - either as a jockey or now as its lead official - for many years. He loves the image and that makes me happy. I guess it is visually arresting, but all I was doing was photographing what was in front of my camera; I was not doing anything special. It was my view of St Moritz that was exceptional.\u003cbr\u003e\u003cbr\u003e Anyone that knows St Moritz well can look at this image for a long time and tell their own stories of misadventures somewhere in the frame. We are all storytellers and I think this photograph will elicit many a tale of winters past.","brand":"David Yarrow","offers":[{"title":"61 x 198 cm (image size) | 100 x 236 cm (framed size)","offer_id":43972701257815,"sku":"DY-PH-Dancing on Ice-61 x 198 cm (image size) | 100 x 236 cm (framed size)-AR-SI-N\/A","price":35640.0,"currency_code":"CHF","in_stock":true},{"title":"79 x 262 cm (image size) | 117 x 300 cm (framed size)","offer_id":43972701290583,"sku":"DY-PH-Dancing on Ice-79 x 262 cm (image size) | 117 x 300 cm (framed size)-AR-SI-N\/A","price":43200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_421_Dancing_on_Ice_100x236_20copy.jpg?v=1782046546"},{"product_id":"david-yarrow-diego","title":"Diego","description":"Diego\u003cbr\u003eAtrani, Italy – 2024\u003cbr\u003e\u003cbr\u003eIn retrospect, I owe Diego Maradona a great deal; without him, I would not have had the provenance of a career starting all the way back to that extraordinary World Cup in Mexico in 1986 which he owned, both metaphorically and literally. I got lucky on the day of the final and the photograph of him, arms aloft with the trophy, remains one of the most important of my life.\u003cbr\u003e\u003cbr\u003eBut Neapolitans had gotten even luckier when their debt-ridden club bought Diego Maradona from Barcelona in the summer of 1984. It was an enormous financial gamble for a club teetering on insolvency and history now looks back fondly on the courage of the owner Corrado Ferlaino. \u003cbr\u003e\u003cbr\u003eIt is impossible to overstate the importance of Maradona to the city - no sportsman has ever offered such level of redemption and hope to an otherwise disadvantaged community and when Maradona’s Napoli won the Italian title in 1987, his legacy was secure.  To this day, many Neapolitans have two paintings above their bed - Jesus Christ and Maradona.  It was an intoxicating love affair between man and city masterfully articulated in the Asif Kapadia 2019 documentary “Maradona”, which briefly features my photograph from 1986.\u003cbr\u003e\u003cbr\u003eFor a generation now, the giant murals of Maradona, dotted around Naples and the neighbouring towns, have become tourist destinations in themselves. They are part of the aesthetic fabric of this most magical and raw part of Europe. Diego was so much more than just a sportsman; he was a modern-day saviour in this god-fearing and deeply spiritual place.\u003cbr\u003e\u003cbr\u003eMy idea was to use a Maradona mural as a background layer in a celebration of life in the wider Naples area. The styling and props were necessarily skewed towards the time when Maradona still played for Napoli, and I sensed the need for a busy street narrative. I wanted to evoke a very definite sense of place. There is nowhere quite like it in the world.","brand":"David Yarrow","offers":[{"title":"94 x 165 cm (image size) | 132 x 203 cm (framed size)","offer_id":43972701323351,"sku":"DY-PH-Diego-94 x 165 cm (image size) | 132 x 203 cm (framed size)-AR-SI-N\/A","price":30240.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 249 cm (image size) | 180 x 287 cm (framed size)","offer_id":43972701356119,"sku":"DY-PH-Diego-142 x 249 cm (image size) | 180 x 287 cm (framed size)-AR-SI-N\/A","price":34560.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_450_diego_132x203_de22c246-73ce-464b-9445-259a41f35398.jpg?v=1782046569"},{"product_id":"david-yarrow-dune","title":"Dune","description":"Dune\u003cbr\u003eNamibia, Africa - 2024\u003cbr\u003e\u003cbr\u003eNamibia is the cheetah capital of the world. Since 1990, smart conservation efforts have resulted in the population in the country growing from 1500 to 2500 – that’s one third of the planet’s total. We have long worked with the acclaimed cheetah conservationists Rudi and Marlice van Vuuren who founded the Naankuse Sanctuary nearly 20 years ago and they partnered with us on this project in the Kanaan Desert.\u003cbr\u003e\u003cbr\u003eThis photograph in the dunes of the Namibian desert, was taken in September 2024. I first photographed in this desert over 14 years ago and I hope I have learned a great deal since then. All the layers in this image: the textural sand, the central characters, the desert mountains and the clouds coalesce as one. \u003cbr\u003e\u003cbr\u003eMy camera metadata tells me that it was taken long before most people are out of bed and yet we are a long way from the nearest building.  But no one in the crew had a problem with that. There is a visual overload from these dunes at sunrise to match any location on the planet.\u003cbr\u003e\u003cbr\u003eShanina Shaik looks sensational and elevates a photograph of a cheetah in the desert into something a little more special. I felt that it was vital that we could see both her eyes and that dictated my camera position in the dunes and her body angle. The moment came and it was just a glimpse, but that is all you need. She is smart as well as beautiful.\u003cbr\u003e\u003cbr\u003eI like the cinematic proportions of this photograph - it helps to tell the story.","brand":"David Yarrow","offers":[{"title":"86 x 191 cm (image size) | 124 x 229 cm (framed size)","offer_id":43972701519959,"sku":"DY-PH-Dune-86 x 191 cm (image size) | 124 x 229 cm (framed size)-AR-SI-N\/A","price":37800.0,"currency_code":"CHF","in_stock":true},{"title":"117 x 262 cm (image size) | 155 x 300 cm (framed size)","offer_id":43972701552727,"sku":"DY-PH-Dune-117 x 262 cm (image size) | 155 x 300 cm (framed size)-AR-SI-N\/A","price":45360.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_460_dune_81x196_e8c0b6e1-588b-4a76-ac29-2c0f54184102.jpg?v=1782046636"},{"product_id":"david-yarrow-st-tropez","title":"St Tropez","description":"St Tropez\u003cbr\u003e St Tropez, France – 2024\u003cbr\u003e\u003cbr\u003e Brigitte Bardot enjoyed using her Albatross speedboat in St Tropez and we sensed that if we could source a vintage one, it would be a useful prop for this parody; it played emphatically to the era and the location. We did find one, but it had to come all the way from Goodwood in the Uk.\u003cbr\u003e\u003cbr\u003e The buildings in La Ponche have a weathered timelessness that I knew would serve us well and then I just needed a composition to showcase a sense of place and a sense of a very specific woman. Nadine Leopold has a breezy nonchalance that made her ideal for the role and we both knew the head angles could offer some anonymity. I have worked with Nadine before and she is a delight.\u003cbr\u003e\u003cbr\u003e It is not easy to make someone look like someone else and to do it in a way that is nether cheap nor gratuitous. My leaning was to photograph her out of the boat as that would give us the most scope to build a wider narrative and even include some determined paparazzi on the shore.\u003cbr\u003e\u003cbr\u003e The aluminium structure of the boat’s hull threw off some useful reflections when facing the rising sun and as this detail started to show itself, I adapted my plans and Nadine’s position. It never pays to be too prescriptive.\u003cbr\u003e\u003cbr\u003e The goal was to take a picture with an unambiguous sense of place and sense of a specific era. This is St Tropez - the most idyllic and storied resort in the world and the place that Bardot called home.","brand":"David Yarrow","offers":[{"title":"94 x 145 cm (image size) | 132 x 183 cm (framed size)","offer_id":43972762402903,"sku":"DY-PH-St Tropez-94 x 145 cm (image size) | 132 x 183 cm (framed size)-AR-SI-N\/A","price":32400.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 221 cm (image size) | 180 x 259 cm (framed size)","offer_id":43972762435671,"sku":"DY-PH-St Tropez-142 x 221 cm (image size) | 180 x 259 cm (framed size)-AR-SI-N\/A","price":39960.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_442_st_tropez_132x183_20copy.jpg?v=1782047250"},{"product_id":"david-yarrow-hotel-bond-colour","title":"Hotel Bond (Colour)","description":"Hotel Bond (Colour)\u003cbr\u003eFurka Pass, Switzerland – 2025\u003cbr\u003e\u003cbr\u003eNo film franchise has enhanced the fame of specific locations more than Bond. To be the backdrop narrative to a sequence in a Bond movie - no matter how dated - bestows heavyweight status on the map coordinates. It is product placement at its most acute level. In 1964, Goldfinger, the second 007 movie, was released and, in retrospect, it was the key to the franchise. The movie recouped its investment in just two weeks and is still cited as the film that established many of the iconic elements and tropes of Bond movies. For many aficionados, Goldfinger is the Bond movie - Rotten Tomatoes - the exacting review aggregation website, score it at 99%. Goldfinger rammed home the Box Office of Sean Connery and brought names like Oddjob and Pussy Galore into our lives. It also made famous the hairpin bends of the Furka Pass in Switzerland and the quintessential Belle Epoque buildings lining its route. The jewel in the crown of these is the iconic Belvedere Hotel - which sits precisely on the inside of one of the hairpins. It is an Alpine monument to the glittering days of the Swiss hotel industry in the late 19th century.\u003cbr\u003e\u003cbr\u003eI do not like driving, or even being driven, on mountain pass roads - especially ones with token barriers accompanying 3000- foot drops. Bond may have enjoyed his car chase on this road, but I am no Bond and this project certainly reminded me that I have some embarrassing vertigo issues.\u003cbr\u003e\u003cbr\u003eThe Furka pass is inaccessible until late May and, given my leaning to film with as much snow in the backdrop as possible, this was always going to be an early June shoot. The Belvedere Hotel is long closed for business and I want to thank the owners for allowing to us to open the shutters and somehow put some lights on. I am sure Wes Anderson would have done the same and it did make all the difference.\u003cbr\u003e\u003cbr\u003eIf there was ever to be a Bond Hotel - I think it should be here.","brand":"David Yarrow","offers":[{"title":"94 x 170 cm (image size) | 132 x 208 cm (framed size)","offer_id":43972843896919,"sku":"DY-PH-Hotel Bond (Colour)-94 x 170 cm (image size) | 132 x 208 cm (framed size)-AR-SI-N\/A","price":32400.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 257 cm (image size) | 180 x 295 cm (framed size)","offer_id":43972843929687,"sku":"DY-PH-Hotel Bond (Colour)-142 x 257 cm (image size) | 180 x 295 cm (framed size)-AR-SI-N\/A","price":39960.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_558_hotel_bond_colour_132x208_1cce3c94-027b-4ccb-9d41-0a78c571d4f5.jpg?v=1782048362"},{"product_id":"david-yarrow-bad-asses-ii","title":"Bad Asses II","description":"Bad Asses II\u003cbr\u003eNamibia - 2024\u003cbr\u003e\u003cbr\u003eThis photograph has been in my head for many years. We have taken our fair share of bad ass pictures of girls in cars in America, but I always wanted to extend my reach to Africa and introduce a Mad Max type narrative. Rather than working in the mountains with snow, as we often do, it was time to work in the desert with sand.\u003cbr\u003e\u003cbr\u003eI knew my girl for the shot - Cara Delevingne - and I knew that the hugely respected Naankuse Sanctuary in Namibia often work their cheetahs with film crews, and then I also knew the Kanaan desert well. But I needed a central prop to hold the whole idea together. I needed something of substance.\u003cbr\u003e\u003cbr\u003eI had long deliberated over building a bar marooned in the middle of the desert. Not just a two-dimensional facade of a bar, but an actual functioning bar, with lights, cooling machines and entertainment.\u003cbr\u003e\u003cbr\u003eI confess that there was quite a bit of talking to myself about the risk reward ratio and I became all to mindful of Walt Disney’s famous advice of “stop talking and start doing”.  I like to have creative courage and be bold.    \u003cbr\u003e\u003cbr\u003eSo, I threw my fears away and we built our bar in the desert. It is so damn good that we are going to keep it there for tourists to visit and perhaps have a cold Namibian lager. It was not a small building job and six lorries full of wood and corrugated iron made the eight-hour trip south from Windhoek. I have never worked with a more willing bunch of people in my life than the Namibian production team and they had earned the right to be very proud of The Desert Inn.\u003cbr\u003e\u003cbr\u003eIn a tableau photograph like this, I want to be greedy and broaden the story: the barman and the bushman on the far right are the little details that help.  Cara looks sensational and, of course, that split second pose from the cheetah makes the photograph what it is. \u003cbr\u003e\u003cbr\u003eIt is a bad ass shot for sure and it is also a bad ass bar.","brand":"David Yarrow","offers":[{"title":"94 x 198 cm (image size) | 132 x 236 cm (framed size)","offer_id":43972850384983,"sku":"DY-PH-Bad Asses II-94 x 198 cm (image size) | 132 x 236 cm (framed size)-AR-SI-N\/A","price":51840.0,"currency_code":"CHF","in_stock":true},{"title":"125 x 262 cm (image size) | 163 x 300 cm (framed size)","offer_id":43972850417751,"sku":"DY-PH-Bad Asses II-125 x 262 cm (image size) | 163 x 300 cm (framed size)-AR-SI-N\/A","price":59400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_597_bad_asses_ii_colour_132x236_f2e597f4-4694-4a8e-bd6d-961eb937febe.jpg?v=1782050035"},{"product_id":"david-yarrow-road-rage","title":"Road Rage","description":"Road Rage\u003cbr\u003eYellowstone National Park – 2026\u003cbr\u003e\u003cbr\u003eYellowstone is the only place in the United States where bison have lived continuously since prehistoric times. By 1902, poachers had reduced Yellowstone’s herd to about two dozen animals but the recent estimates suggest this has grown to around 5,000-5,400.  It is America's largest and oldest wild, free-roaming herd.\u003cbr\u003e\u003cbr\u003eWe only film bison in Yellowstone in the depths of winter. There are two reasons for this: one of course is that the traffic is bearable in the winter and we are very often on our own and out of the park by 10 am; the second more important factor is that the presence of snow plays to the animal’s fortitude. I would not film the Amalfi coast in the winter, as it is a summer holiday destination, and in the same way I have no interest in filming in Yellowstone in July.\u003cbr\u003e\u003cbr\u003eI tend to focus on the male bison which can weigh up to 2,000 pounds and stand 6 feet tall. From the right angle, their enormous heads and curved horns elicit imagery of mythological beasts; they are part cow and part fantasy. The bison are a revered part of the tapestry of Americana.\u003cbr\u003e\u003cbr\u003eThis immersive photograph was shot on a remote camera with a wide-angle lens on the road between West Yellowstone and Madison Junction. It’s an iterative process and I often fail simply because I am not in charge of the bison’s movement. But a pattern can develop and then we must be patient.\u003cbr\u003e\u003cbr\u003eYellowstone is very accessible these days and there are many photographers up there every day. I think the important thing is to be true to oneself and do what you do.","brand":"David Yarrow","offers":[{"title":"94 x 157 cm (image size) | 132 x 196 cm (framed size)","offer_id":43972853989463,"sku":"DY-PH-Road Rage-94 x 157 cm (image size) | 132 x 196 cm (framed size)-AR-SI-N\/A","price":32400.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 239 cm (image size) | 180 x 277 cm (framed size)","offer_id":43972854022231,"sku":"DY-PH-Road Rage-142 x 239 cm (image size) | 180 x 277 cm (framed size)-AR-SI-N\/A","price":39960.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_636_road_rage_132x196_ad3e99d9-3a2f-4b75-86a6-8736c21ebbc0.jpg?v=1782050870"}],"url":"https:\/\/petragut.com\/collections\/nueschelerstrasse-31.oembed","provider":"Petra Gut Contemporary AG","version":"1.0","type":"link"}