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Our cognitive processing tends to elicit visual symbolisms that are consensual - mention the word “Nevada” and we think of gambling in a desert.\u003cbr\u003e\u003cbr\u003eBut Florida is more complicated. It cannot be conveniently categorised or boxed. On the coast is Miami, with its tourist beaches, Art Deco, influencers, pop culture and Hispanic soul. Then up the road is Palm Beach with its genteel “Slim Aarons” high-society life of golf, tennis, bridge and cocktails.\nThe two communities could not be more different in culture and ethnicity.\u003cbr\u003e\u003cbr\u003eThey only have two things in common: favourable taxes and proximity to America’s Jurassic Park - an untamed territory that remains primeval and largely closed for business. The swamps of Florida were not made for human life, yet they sit within 30 miles of two of the most evolved and desirable places to live in the world. It is as stark a visual dislocation as there can be.\u003cbr\u003e\u003cbr\u003eIn no part of America does the price of real estate fall quicker than when travelling west from the Atlantic beaches of southern Florida. There are too many insects and far too many dangerous reptiles for sane mankind.\u003cbr\u003e\u003cbr\u003eThe emblematic beast of Florida is the alligator and for the 56,000 students at the University of Florida, life would be different if “Gators” did not exist. The big gators in the swamps are formidable adversaries.\u003cbr\u003e\u003cbr\u003eThis photograph was only captured after considerable research and conversations with those familiar with the location. The camera was controlled remotely, and no one was in danger during this project. Alligators are much more comfortable living in this part of Florida than humans will ever be.\u003cbr\u003e\u003cbr\u003eIf Florida was fictional, we would laugh at its absurdity. And yet it is very real.","brand":"David Yarrow","offers":[{"title":"94 x 142 cm (image size) | 132 x 180 cm (framed size)","offer_id":42717025730647,"sku":"DY-PHO-Florida-94 x 142 cm (image size) | 132 x 180 cm (framed size)-N\/A","price":42400.0,"currency_code":"CHF","in_stock":true},{"title":"142 x 213 cm (image size) | 180 x 251 cm (framed size)","offer_id":42717025763415,"sku":"DY-PHO-Florida-142 x 213 cm (image size) | 180 x 251 cm (framed size)-N\/A","price":34980.0,"currency_code":"CHF","in_stock":true}]},{"product_id":"tyler-shields-the-girl-with-the-quill","title":"The Girl with the Quill","description":"The Girl with the Quill\u003cbr\u003eLimited Edition Photography by Tyler Shields, for sale at Petra Gut Contemporary gallery in Zurich and St. Moritz","brand":"Tyler Shields","offers":[{"title":"51 x 38 cm (image size)","offer_id":43504222732375,"sku":"TSH-PH-The Girl with the Quill-51 x 38 cm (image size)-C-SI-N\/A","price":2410.06,"currency_code":"CHF","in_stock":true},{"title":"76 x 57 cm (image size)","offer_id":43504222765143,"sku":"TSH-PH-The Girl with the Quill-76 x 57 cm (image size)-C-SI-N\/A","price":4564.2,"currency_code":"CHF","in_stock":true},{"title":"102 x 76 cm (image size)","offer_id":43504222797911,"sku":"TSH-PH-The Girl with the Quill-102 x 76 cm (image size)-C-SI-N\/A","price":8728.0,"currency_code":"CHF","in_stock":true},{"title":"152 x 114 cm (image size)","offer_id":43504222830679,"sku":"TSH-PH-The Girl with the Quill-152 x 114 cm (image size)-C-SI-N\/A","price":13313.45,"currency_code":"CHF","in_stock":true},{"title":"183 x 137 cm (image size)","offer_id":43504222863447,"sku":"TSH-PH-The Girl with the Quill-183 x 137 cm (image size)-C-SI-N\/A","price":22480.0,"currency_code":"CHF","in_stock":true},{"title":"213 x 160 cm (image size)","offer_id":43504222896215,"sku":"TSH-PH-The Girl with the Quill-213 x 160 cm (image size)-C-SI-N\/A","price":42089.5,"currency_code":"CHF","in_stock":true}]},{"product_id":"david-yarrow-gathering-storm","title":"Gathering Storm","description":"THE GATHERING STORM\u003cbr\u003e\nAmboseli, Kenya 2012\u003cbr\u003e\u003cbr\u003e\nThe evening that I returned from taking this photograph on the scorched earth of the dry Lake Amboseli, I was told by the local guide that the light conditions that afternoon were as dramatic as he could remember. The thunderstorms build in late October and this is also the time when the elephant herds can be at their biggest. They complement each other perfectly. In the craft of coupling powerful content with emotive aesthetics, this image is about as good as I can do. I remember having a few celebratory drinks that night.","brand":"David Yarrow","offers":[{"title":"76 x 130 cm (image size) | 114 x 168 cm (framed size)","offer_id":43899368702039,"sku":"DY-PHO-Gathering Storm-76 x 130 cm (image size) | 114 x 168 cm (framed size)-N\/A","price":12720.0,"currency_code":"CHF","in_stock":true},{"title":"114 x 196 cm (image size) | 153 x 234 cm (framed size)","offer_id":43899368734807,"sku":"DY-PHO-Gathering Storm-114 x 196 cm (image size) | 153 x 234 cm (framed size)-N\/A","price":15900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_014_gathering_storm_114x168_20Kopie.jpg?v=1779814084"},{"product_id":"david-yarrow-bc-10000","title":"BC 10'000","description":"10,000 BC\u003cbr\u003e\nTanzania - 2019\u003cbr\u003e\u003cbr\u003e\n\nThis is the first photograph that I have taken of a big Nile crocodile that is strong enough to be released as a print. It’s taken me 30 odd years, but in crocodile years that is nothing. These monsters were around long before man and can live to 100 years old.\u003cbr\u003e\u003cbr\u003e\n\nBig crocs are not easy to capture in a way that conveys their enormity, their primeval menace or indeed their textural magnificence. But this image works and when I saw it in large size at the printers in LA, my heart skipped a beat. It has been worth the wait. I think we pushed a few boundaries here.\u003cbr\u003e\u003cbr\u003e\n\nThe picture was made as opposed to taken as I had a preconceived idea of what I was trying to do. The starting point was my acceptance that head on images of crocodiles struggle as there is never enough depth of field with a telephoto to do them justice. The teeth can be in focus, but then probably not their eyes and certainly not their back or tail. I don't like to have my focal point half way back in an image - it creates a tension point if the nearest point of a portrait is out of focus. A head on portrait fails to convey length and length is the key variable.\u003cbr\u003e\u003cbr\u003e\n\nI kNew I needed to work at 90 degrees, with the croc perpendicular to the camera. I also wanted to be low and close and I wanted a big crocodile - why on earth photograph a small one? If almost all of the crocodile was the same distance from the camera, there could be a colossal amount of information in the image.\u003cbr\u003e\u003cbr\u003e\n\nOur research - and we did a great deal - led us to one place. The key was that the river had to be narrow, as for safety reasons I could not work from the same bank as a 12 foot crocodile - that could be my last assignment. The narrow Grumeti river in Tanzania offers chances and there is one 200-yard section with some enormous crocs on the south bank with a north bank just 20 yards away. The steep bank deters crocodiles on the north bank and that was what I needed to be able to work without fear and for the camera angle to be low. I needed to be at the same height as the croc - give or take a meter.\u003cbr\u003e\u003cbr\u003e\n\nThe image was taken late in the day and the angle of the late sun gave me every chance for a clean picture - almost all the background was in heavy shadow and three stops underexposed.\u003cbr\u003e\u003cbr\u003e \n\nMy preoccupation as an artist is to be original and creative. We often fail and disappoint ourselves, but this photograph is kind of cool. I haven't really seen a similar image and we do put in the hours trawling the net. I had the right camera, the right lens and the right exposure. Phew!\u003cbr\u003e\u003cbr\u003e\n\nThis scene could well have happened 10,000 BC - but we will never know. It did, however, happen in 2019, and that is for the record.","brand":"David Yarrow","offers":[{"title":"76 x 188 cm (image size) | 114 x 226 cm (framed size)","offer_id":43899381317719,"sku":"DY-PHO-BC 10'000-76 x 188 cm (image size) | 114 x 226 cm (framed size)-N\/A","price":26500.0,"currency_code":"CHF","in_stock":true},{"title":"102 x 251 cm (image size) | 140 x 290 cm (framed size)","offer_id":43899381350487,"sku":"DY-PHO-BC 10'000-102 x 251 cm (image size) | 140 x 290 cm (framed size)-N\/A","price":31800.0,"currency_code":"CHF","in_stock":true}]},{"product_id":"substitute-concatenate-g1179-d1179","title":"Get the Fxxx Off My Boat (Colour)","description":"GET THE FXXX OFF MY BOAT\u003cbr\u003e Marina del Rey, LA, California - 2021\u003cbr\u003e\u003cbr\u003e My first collaboration with the real Wolf of Wall Street - Jordan Belfort - in the autumn of 2019, resulted in the coveted image -The Wolves of Wall Street. That photograph has now sold out and I was honoured that both Leonardo DiCaprio and Martin Scorsese signed a copy which sold for $200,000 at Art Miami at the end of that year.\u003cbr\u003e\u003cbr\u003e It was always our intention to do a sequel, but Covid put paid to that in 2020. However, the delay gave me time to consider various options for the story line and fine tune logistics. The unanimous choice for round two was to shoot the boat scene with the FBI agents.  For many it is the most memorable scene in the whole movie and of course there is intense competition for that top spot.\u003cbr\u003e\u003cbr\u003e In May of this year we had an opportunity to shoot our sequel off the coast of Marina del Rey in Los Angeles.  I had so much more light to play with than in the dealing room shot and my instinct was to be bold in the amount of content I could include in one frame.  Indeed, I had to work on the basis that the one frame had to tell the full story, otherwise the job would not have been done properly.  This is one of the challenges of still photography.\u003cbr\u003e\u003cbr\u003e Once we sourced our necessarily large yacht, I pondered intensely over the make up of the content and the composition of that content. The wolf would always be the centre stage, but the layered nature of the front of the boat offered my best chance of an expansive narrative around and behind the wolf.  My favoured shooting time was an hour before sunset and from mid afternoon I had built up an intricate story board in my mind.\u003cbr\u003e\u003cbr\u003e About 6.45pm out on the open sea, all the constituent parts came together and I think everyone involved should be proud of the role they played in creating the parody. I would contend that if any one of the constituents of the photograph was removed, the picture would be materially lessened. It needed the giant lobsters; the spray of the champagne; the FBI; the helicopter; both wolves and even the girl on the top deck.  Luckily they were all on board - this was not a day to have after thoughts.\u003cbr\u003e\u003cbr\u003e They say that the best pictures can be looked at for a long time. Well here we go. My thanks to everyone involved but especially Jordan Belfort, Kate Bock, Josie Canseco and FBI agents Bradley Thomas and Kether Parker.\u003cbr\u003e\u003cbr\u003e We will also be releasing a colour version of this image. In addition, we would like to be clear that the “wolf” in the scene is actually a Tamaskan dog - which is 98% wolf. The lobsters are all cooked lobsters bought from a restaurant.\u003cbr\u003e\u003cbr\u003e","brand":"David Yarrow","offers":[{"title":"94 x 132 cm (image size) | 132 x 170 cm (framed size)","offer_id":43899420180567,"sku":"DY-PHO-Get the Fxxx Off My Boat (Colour)-94 x 132 cm (image size) | 132 x 170 cm (framed size)-N\/A","price":61480.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_221_Get_the_fxxx_off_my_boat_94x132_eaa21370-a201-4798-888d-1adb4dec2158.jpg?v=1779817540"},{"product_id":"substitute-concatenate-g1180-d1180","title":"Get the Fxxx Off My Boat (Colour)","description":"GET THE FXXX OFF MY BOAT\u003cbr\u003e Marina del Rey, LA, California - 2021\u003cbr\u003e\u003cbr\u003e My first collaboration with the real Wolf of Wall Street - Jordan Belfort - in the autumn of 2019, resulted in the coveted image -The Wolves of Wall Street. That photograph has now sold out and I was honoured that both Leonardo DiCaprio and Martin Scorsese signed a copy which sold for $200,000 at Art Miami at the end of that year.\u003cbr\u003e\u003cbr\u003e It was always our intention to do a sequel, but Covid put paid to that in 2020. However, the delay gave me time to consider various options for the story line and fine tune logistics. The unanimous choice for round two was to shoot the boat scene with the FBI agents.  For many it is the most memorable scene in the whole movie and of course there is intense competition for that top spot.\u003cbr\u003e\u003cbr\u003e In May of this year we had an opportunity to shoot our sequel off the coast of Marina del Rey in Los Angeles.  I had so much more light to play with than in the dealing room shot and my instinct was to be bold in the amount of content I could include in one frame.  Indeed, I had to work on the basis that the one frame had to tell the full story, otherwise the job would not have been done properly.  This is one of the challenges of still photography.\u003cbr\u003e\u003cbr\u003e Once we sourced our necessarily large yacht, I pondered intensely over the make up of the content and the composition of that content. The wolf would always be the centre stage, but the layered nature of the front of the boat offered my best chance of an expansive narrative around and behind the wolf.  My favoured shooting time was an hour before sunset and from mid afternoon I had built up an intricate story board in my mind.\u003cbr\u003e\u003cbr\u003e About 6.45pm out on the open sea, all the constituent parts came together and I think everyone involved should be proud of the role they played in creating the parody. I would contend that if any one of the constituents of the photograph was removed, the picture would be materially lessened. It needed the giant lobsters; the spray of the champagne; the FBI; the helicopter; both wolves and even the girl on the top deck.  Luckily they were all on board - this was not a day to have after thoughts.\u003cbr\u003e\u003cbr\u003e They say that the best pictures can be looked at for a long time. Well here we go. My thanks to everyone involved but especially Jordan Belfort, Kate Bock, Josie Canseco and FBI agents Bradley Thomas and Kether Parker.\u003cbr\u003e\u003cbr\u003e We will also be releasing a colour version of this image. In addition, we would like to be clear that the “wolf” in the scene is actually a Tamaskan dog - which is 98% wolf. The lobsters are all cooked lobsters bought from a restaurant.\u003cbr\u003e\u003cbr\u003e","brand":"David Yarrow","offers":[{"title":"142 x 201 cm (image size) | 181 x 239 cm (framed size)","offer_id":43899420246103,"sku":"DY-PHO-Get the Fxxx Off My Boat (Colour)-142 x 201 cm (image size) | 181 x 239 cm (framed size)-N\/A","price":72080.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_221_Get_the_fxxx_off_my_boat_94x132_c918363d-c428-446e-adc5-dc7829a4fd17.jpg?v=1779817552"},{"product_id":"david-yarrow-person-of-interest-montana","title":"Person of Interest, Montana","description":"PERSONS OF INTEREST\u003cbr\u003e Montana, USA – 2021\u003cbr\u003e\u003cbr\u003e Even those that don’t follow the NFL, or have an interest in the performing arts, know and admire Ciara and Russell Wilson for what they stand for and what they do for others. They are both legends in their respective careers, but their legacy may lie in what they have done to champion and support good causes helping others living less than ideal lives.\u003cbr\u003e\u003cbr\u003e For this shoot, I took the Seattle Seahawks quarterback and his wife to my favourite shooting location in the world - the Pioneer Bar - high up in the mountains of West Montana. I wanted to be in command of as much as possible and with my intimate knowledge of the location, I knew I could muster together a smorgasbord of western archetypes to complement the rock star American couple. I also know the lighting and the angles inside out. It was a home fixture for me.\u003cbr\u003e\u003cbr\u003e My preconception was to build a vignette that lived and breathed cinema whilst playing on the importance of cultural refinement in the Wild West. To that end, I thought it would be playful to dress Russell and Ciara in black tie so as to accentuate the narrative. Finding the extras was easy - they are mostly my drinking buddies.\u003cbr\u003e\u003cbr\u003e There are no weak characters in this shot; there is simply no room for them. In fashioning together so many ethnicities, I hope his photograph celebrates the diversity of America and reminds us that the pursuit of the American Dream was, and is, inclusive.\u003cbr\u003e\u003cbr\u003e Revlon Ambassadors have been filmed in many locations, but perhaps none offer the storied past of the Pioneer Bar. Ciara smashed this look, but I soon discovered, she kind of smashes every look.","brand":"David Yarrow","offers":[{"title":"181 x 292 cm (framed size) | Signed by the artist on the front","offer_id":43899429126231,"sku":"DY-PHO-Person of Interest, Montana-181 x 292 cm (framed size) | Signed by the artist on the front-N\/A","price":37100.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/yarrow_david_224_Person_of_20_Interest_132x206_e3ba4a1a-1c15-4044-9045-f33a83076e5e.jpg?v=1779818354"},{"product_id":"hannes-schmid-im-very-definitely-a-women-and-i-enjoy-it","title":"I'm very definitely a women and I enjoy it","description":"I'm very definitely a women and I enjoy it\u003cbr\u003eLimited Edition Photography by Hannes Schmid\u003cbr\u003e\u003cbr\u003eYear: 1990\u003cbr\u003eTechnique: Photoprint\u003cbr\u003eSigned by the artist on certificate\u003cbr\u003e\u003cbr\u003eFor sale at Petra Gut Contemporary gallery in Zurich and St. Moritz","brand":"Hannes Schmid","offers":[{"title":"14.5 x 22 cm (image size)","offer_id":43899609350231,"sku":"HS-PHO-I'm very definitely a women and I enjoy it-14.5 x 22 cm (image size)-N\/A","price":2200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/schmid_hannes_103_14.5x22_I_E2_80_98m_very_definitely_a_woman_and_I_enjoy_it_f25ade7c-c192-4178-a7d1-4dc6719f5173.jpg?v=1779826979"},{"product_id":"katrin-freisager-pi","title":"pi","description":"pi\u003cbr\u003eLimited Edition Photography by Katrin Freisager\u003cbr\u003e\u003cbr\u003eYear: 2014\u003cbr\u003eTechnique: C-Print\/ Diasec\u003cbr\u003eSigned by the artist on certificate\u003cbr\u003e\u003cbr\u003eFor sale at Petra Gut Contemporary gallery in Zurich and St. Moritz","brand":"Katrin Freisager","offers":[{"title":"80 x 120 cm (image size)","offer_id":43899699232855,"sku":"KF-PHO-pi-80 x 120 cm (image size)-N\/A","price":7400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/Freisager_Katrin_002_Liquid_Landscape_3_70x105cm_3dea349f-76c0-46d8-bca1-89fda2d753c3.jpg?v=1779831863"},{"product_id":"pietro-terzini-the-trouble-is-you-think-you-have-time-rolex","title":"The Trouble Is You Think You Have Time (Rolex","description":"The Trouble Is You Think You Have Time (Rolex\u003cbr\u003eLimited Edition Painting by Pietro Terzini\u003cbr\u003e\u003cbr\u003eYear: 2025\u003cbr\u003eTechnique: Acrylic on cardboard\u003cbr\u003eSigned by the artist on the back\u003cbr\u003e\u003cbr\u003eFor sale at Petra Gut Contemporary gallery in Zurich and St. Moritz","brand":"Pietro Terzini","offers":[{"title":"110 x 83 cm (paper size)","offer_id":43899815362647,"sku":"PT-PAI-The Trouble Is You Think You Have Time (Rolex-110 x 83 cm (paper size)-N\/A","price":5694.8,"currency_code":"CHF","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0274\/0553\/files\/terzini_pietro_004_the_trouble_is_you_think_you_have_time_110x83_c7f8c858-baf6-4ad5-9622-fb762cc5adc4.jpg?v=1779836432"}],"url":"https:\/\/petragut.com\/collections\/all-artists.oembed?page=5","provider":"Petra Gut Contemporary AG","version":"1.0","type":"link"}